Jesse Boykins III: "'Yeezus' Was A Soul Album! [EXCLUSIVE]
Jesse Boykins III Defines Soul & The Shady Politics Of The Music Business [EXCLUSIVE]
Despite more artists blurring the lines between musical genres, we live in a world where labels are a necessity. Chicago-born singer/songwriter Jesse Boykins III doesn’t subscribe to those ideals. In fact he loathes labels and classifications of music and art in general. He continues to push his brand of R&B/soul into the next frontier by creating music based on feelings and emotions rather than what will sell at the particular point in time.
Like TheUrbanDaily.com on Facebook to stay updated with the latest entertainment news and original interviews!
JB3: Searching for balance is what inspired the album. I think I started writing the album when I was 23 and I was asking myself a lot of in-depth questions about my childhood and my relationships with people who’re in my life. I just started writing. I just used the album as my journal. These are the entries to me trying to evaluate my life and get to a better place.
When I first heard the title for the album was “Love Apparatus,” I thought this was going to be an album full of bedroom sex jams. That’s not what the album’s about so could you explain the title a little more?
The title didn’t start off that deep. I write love songs. Well, I write songs about life and love. The cat who produced the album with me, his name is Machine Drum. So I took ‘machine’ to the thesaurus and found that ‘apparatus’ was a synonym. I was like, “Love apparatus. Whoa. That’s the heart!” [laughs] so when I thought about that I figured heart is life. Blood doesn’t pump through the body without the heart.
I read you like to craft your songs like you’re making a movie. How so?
I’m a real big fan of films and I’m a fan of certain directors. I admire the sense of progress in a film. I admire the sense of watching a movie again and again and finding something new every time. I like the concept that so I like to implement that in my music making. But it could be with the metaphors I’m using or the way I mix my adlibs or subtle little things I’ll do with the production that you might not hear the first or second time. I feel like my music has more life like that. When things have a cinematic feel to them, they last longer.
Jesse Boykins III Defines Soul & The Shady Politics Of The Music Business [EXCLUSIVE] was originally published on theurbandaily.com