New Music Roundup (May 5th - May 9th)

Source: Theo Wargo / Getty

New Music Released This Week (May 5th – May 9th):

1. Zacardi Cortez – Ibhar: He That Is Chosen

The lead single for the project is the powerful, “WORK IT OUT FOR ME” and it was written by Travis Malloy and produced by Morgan Turner. “The song was submitted to me by my good friend Travis Malloy. When I heard it, I immediately locked in on it… I don’t know when he first wrote it, but I felt like the song was written just for me. I don’t even feel like I do it justice; it’s just a BIG song,” shares Zacardi Cortez.

Born in Acres Homes (Houston), as the youngest of 5 children to a single mom, Zacardi Cortez learned hardship and lack from an early age but also learned of the keeping power of Jesus. This 7-song EP, “Ibhar: He That Is Chosen,” is inspired by and a reflection of Zacardi ’s journey to understanding what being chosen by God really means. Taking the lead on production, Zacardi crafts a masterful body of work, including features by Jekalyn Carr, Chrystal Rucker, Jason Nelson and Jonathan Nelson.

One of the highlight songs from the project is “It’s Gonna Happen” featuring Jekalyn Carr. “The song came about as I was discussing with my producer Morgan Turner that I always wanted to do a feature with Jekayln Carr and I always wanted to be the kind of writer who can match the artist with the song , and really make it make sense. It fit her so well and I wrote it for her. I then asked her to be on the song and she was immediately down,” mentions Zacardi.

Another highlight includes “Matthew 4:4” feat. Crystal Rucker . Inspired by part of Zacardi’s childhood, he tells the story of being eight years old and one day going to the fridge and it was empty. When he asked his mom why there wasn’t any food in the fridge, she told him to go read Matthew 4:4. The scripture says, “ But he answered and said, It is written, Man shall not live by bread alone, but by every word that comes from the mouth of God .” Young Zacardi read the scripture over and over until he fell asleep that night. Written by his oldest sister Nesha Cortez , this song shares about his early chapter of life.

2. Andre 3000 – 7 piano sketches

André 3000 has released 7 piano sketches, a collection of instrumental music recorded solo on the piano. This is the first release of new material since his globally lauded 2023 instrumental album, New Blue Sun, earned three GRAMMY nominations, including Album Of The Year.

The new music was released on Epic Records, at 8pm EST, shortly after André arrived at the Met Gala in New York City where he wore a bespoke piano creation by Burberry in collaboration with benji bixby and styled by Law Roach, as part of the Met Gala’s Superfine: Tailoring Black Style themed event celebrating craftsmanship, structure, Black history, and the evolution of dandyism. The event also marks the debut of benji bixby, an evolution of André’s beloved late 00s fashion line, Benjamin Bixby.

Partially composed and recorded prior to New Blue Sun, the beginnings of 7 piano sketches came about almost a decade ago, whilst staying in a house in Texas with his son that had only a piano, their beds and TV screens. Having lived with the recordings for a time, André was drawn to the idea of creating more and sharing them in the Spring, a time of year that promises that life, creativity, and possibility are ever-renewing.

Says André of the recordings: “The original title for it was ‘The Best Worst Rap Album In History’ and here is an excerpt from the original liner notes:

‘It’s jokingly the worst rap album in history because there are no lyrics on it at all. It’s the best because it’s the free-est emotionally and best I’ve felt personally. It’s the best because it’s like a palette cleanser for me.’”

It was recently announced that André will receive an Honorary Degree of Doctor of Music from Berklee College of Music on May 10th as part of their graduating Class Of 2025. In November, he will be inducted into the Rock & Roll Hall Of Fame alongside his Outkast bandmate BigBoi.

3. Shunkan – Kamikaze Girl

Shunkan, the LA-based rock project of Marina Sakimoto, is excited to share her new album Kamikaze Girl, out now via Houston’s Rite Field Records. Marking her long-awaited return, today’s release is a record filled with introspective moments, soaring guitars, and gut-punching lyricism. The ten-track album brings its listener through the fire and out again, with Sakimoto’s powerful vocals leading the way. Shunkan’s first record in over five years, it feels as though they have finally arrived with Kamikaze Girl.

Recorded last year in Joshua Tree, CA and produced by Alex Newport (Death Cab for Cutie, Melvins, The Mountain Goats), Kamikaze Girl examines how to put things back together after falling apart. Heralding the announcement was “Hellbound,” a hazy, melancholic track that expects the worst and wants the best. Grounded by Sakimoto’s honeyed vocals, brightly toned guitar riffs reverberate like late-night memories and desire-driven mistakes. Following “Hellbound” came the single “Usual Suspects,” a high-energy, punchy track reminiscent of early 2000s emo. Sakimoto’s powerful voice and heavy guitar riffs center around lyrics that navigate life amid chaos. Final single, “Prettier” is packed with meaning, featuring heartfelt lyrics that grapple with self-identity while navigating the complexity of relationships. The song moves from melancholy to anger, communicated by initial slow-pulsing beats that transform into gritty, emotional guitar. 

Shunkan signed to Rite Field Records last fall and quickly mapped out her first full-length offering since 2019’s Cumberland Falls. Sakimoto first debuted the project in 2014 with her first EP, Honey, Milk and Blood, which earned praise from the likes of DIY, Brooklyn Vegan and Far Out Magazine. Shunkan’s critically acclaimed first LP The Pink Noise, arrived in 2014 with fan favorite tracks, “Garden” and “S.A.D.” 

4. Montell Fish – FREESTYLE 01 / GRAMMYXXFEELX2

Continuing to evolve the musical world around his sophomore album CHARLOTTE, Montell Fish shares two new songs“GRAMMY/XXFEELX2” and “FREESTYLE01.” This pair of new songs follows his surprise release with Murda Beatz and BKTHERULA, “Same Shit” which Montell co-produced with Murda. The collaborative track was an unpredictable swerve into trap heavy production for Montell, the rap stylings of which he expands upon with “FREESTYLE 01” and “GRAMMY/XXFEELX2.” Both new songs bend the limits of what Montell’s audience can expect from new music, venturing into rap with melodic flows after sharing three acoustic songs with Days Are Getting Shorter last month. Each new release opens a new sonic path for Montell to explore, who is experimenting with the next iteration of his artist project in real time for fans to follow.

Montell will also be heading on The Dream Deer Tour kicking off this Wednesday May 7th, which begins with a completely sold-out run of dates in Australia and continues in Europe this Summer, with a number of festival dates in between. Beginning in Brisbane, Montell will play six sold-out headline shows in Australia before returning to the US to play festival sets at Kilby Block Party in Salt Lake City, Governor’s Ball in New York and Lollapalooza in Chicago. The tour will continue in August with a series of festivals in Europe, followed by headline dates in Warsaw, Vienna, and Zurich. Remaining tickets for Montell’s headline shows are available now at https://msconsciousness.com/tour.

Montell’s work is also extending into more experimental and electronic sounds through his dj gummy bear character, which he first introduced with the single “2 Seater”. In building out the intertwining threads between his Montell Fish artist project and dj gummy bear, he made a more direct connection between the two with Intercession Before Charlotte, an EP released last year that placed gummy bear and Montell in direct conversation with one another. Framed as a prophet in the lore that surrounds the character, Montell’s music as dj gummy bear serves as a foil for himself, putting a name to the contradicting voice of his internal dialogue about faith, fame, expectations, and the relationships surrounding them. These two versions of himself that Montell has created embody the duality in his world as an artist and the opposing forces that influenced the early parts of his career. Montell Fish deals in intricate and grand alternative pop, while dj gummy bear thrives under the surface, tinkering with the ambient subtleties of his own experimental R&B.

5. Mo Lowda & the Humble – The Painter

Today, Philadelphia-based indie rock quartet Mo Lowda & the Humble share their latest shuffling, smooth groove, “The Painter” out now. The synth-driven bubbly, encouraging tune aims to break free from self-doubt and attempts to maintain artistic inspiration through self-compassion and patience.

The band’s spirited, texturally rich fifth studio album Tailing The Ghost is due out June 20 and available for pre-save now. Recorded entirely on the road across America’s most scenic settings, the spellbinding LP promises to be the band’s most commanding, cohesive body of work yet.

Plus, the group will embark on a lengthy North American tour this summer and fall, with support from French Cassettes and Illiterate Light and a slew of festival appearances at Boston Calling, Green River and more. See a full list of dates below and grab tickets now via molowda.com/motour.

Led by a steady, shuffling synthy guitar loop, “The Painter” encourages creativity and shakes off writer’s block with its yacht rock-esque, relaxed energy. Jordan Caiola (lead vocals, guitar, bass) says the track, “tells a story of an artist’s journey–marked by doubts from others/themselves, outside pressures and the ongoing process of finding the inspiration and energy to both start and finish projects. With an overarching theme of ‘every canvas starts off empty and blank,’ this song is meant to provide the nudge and confidence so many creators need to put things out into the world.”

Built across many towns, days and cabins, the bouncy, melodic tune came to life in Pioneertown, CA. Pulling modern jazz-forward guitar inspiration from 1970s Pat Metheny and Robert Fripp, Jeff Lucci (bass, guitar, keyboard, vocals) adds it’s a nod to “the constant battle to find and maintain ambition, inspiration, and work ethic, especially once the initial excitement and muse of creating something new wears off. Finishing things is hard, but I think it’s everything.”

The previously shared double single “7.31/Sara’s Got Big Plans” finds the band coming to terms with change and wishing the best to a past love with their signature warmth, gang vocals and rhythm guitar. Earlier this year came the lush, guitar-driven track “Canary” and its splashy animated music video sinks into the nerves of a budding new romance. RIFF Magazine praised its free-flowing, airy spirit, writing, “[‘Canary’] has a carefree yet grounded energy. Surf-pop-inspired riffs give it a familiar but fresh feel, perfect for fans of alt-folk with a summery edge.”

The highly anticipated forthcoming fifth studio album, Tailing The Ghost, was written fully on the road with four members setting up their instrument stations in a circle, facing each other and working through the arrangements in real time between home-cooked meals, poker games, and movie viewings. Breathtaking views in Joshua Tree, Lake Travis, TX, Colorado and Tennessee inspired its magnetic sound–the arrangements vary from sparse and spacious like the California desert, glistening like various lakes to lush and sweeping like the Rocky Mountains–taking on the energy of the environments in which they were created.

Lucci explains, “More spontaneity, gut and sense of self assurance was embodied in my approach to writing and recording this record than any other.” The album captures who they each were in the moment, fleeting and on the move, which pushed them to record tightly and quickly. Lucci adds, “It inspired confidence–the cocktail of quickly writing something and recording it rid the band of self-doubt.” The warmth of their true camaraderie is heard in the gang vocals throughout, and each melody lingers long after each track ends.

The highly energetic, unmatched live show will grace stages across the U.S. and Canada beginning with Boston Calling in May and will move through Chicago, Vancouver, Seattle, Austin, Los Angeles, Nashville, and conclude in their home city of Philadelphia in November. With new dates across California, Texas and North Carolina added, tickets are on sale now here.

Born out of the house show scene in Philadelphia, Mo Lowda & the Humble shared their first album, Curse The Weather in 2013, and have been non-stop ever since–vigorously playing over 90 shows a year. Remaining fully independent, the group have garnered millions of streams across platforms and boasts over 47K listeners on Spotify alone. The quartet has captivated audiences nationally and internationally and have solidified veteran festival status regularly playing Firefly, Peach Fest, Mountain Jam and more. Now, the band is ready to ascend to the next level with an assertive album that showcases their singular chemistry, masterful instrumentation and unparalleled blend of precision and spontaneity.

With its tight harmonies and rolling rhythm, Mo Lowda & the Humble’s “The Painter,” out now, offers a buoyant reminder to trust one’s own creativity. Tailing The Ghost, their glowing, driving fifth studio album is due out June 20 and available for pre-save now. Don’t miss the lively quartet live this summer and fall across North America with tickets on sale now via molowda.com/motour. Keep up with all things Mo Lowda & the Humble on Instagram, Facebook and YouTube and stay tuned for much more to come from the bonafide rockers.

6. Flooding – your silence is my favorite song

Kansas City’s Flooding, the trio fronted by Rose Brown, is excited to announce their new EP, object 1, out this summer. To herald the announcement, “your silence is my favorite song” arrives today, exploring the fragility of a self-involved male manipulator, with buzzing guitars and haunting vocal delivery from Brown. “Your bleeding heart, my lucky charm,” is casually sung over building but sparse instrumentation as the song heads towards a breaking point.

“Flooding can be extremely personal most of the time, but I like to explore the perspective of narcissistic villain archetypes sometimes, too,” says Rose Brown. “It’s fun to pretend to be a piece of shit male rock idol for 4 minutes.”

Flooding formed in 2021, quickly releasing their eponymous debut album, featuring fan-favorite songs “Insure Me, Procure Me” and “Delayed Gratification.” Ranging from whispers and airy guitar riffs to intense lyricism and distorted blasts of noise, the record cemented Flooding’s place as a band to have on your radar. Their 2023 record Silouette Machine followed, earning praise from Rolling Stone, Treble Zine, New Noise Magazine and more for its heavy but soothing and otherworldly sound, bringing in pummeling drums and guitars just when the listener gets comfortable. With object 1, Flooding infuses pop-forward songwriting into their sound, trading spoken word for melodies and thinking like pop stars when cultivating the energy of their live show. 

Flooding’s tour across North America with Los Angeles band Cryogeyser ended this past weekend in San Francisco. Tonight, the band will headline El Cid in Los Angeles, CA with Starling before heading to Arizona and Texas for headlining tour dates. For more information on upcoming shows, follow Flooding on Instagram at @floodingks

7. Pixel Grip – Reason To Stay

Underground electronic trio Pixel Grip announces their eagerly awaited independent third album, Percepticide: The Death of Reality, set for release on June 12th. Alongside the announcement, Pixel Grip shares a gripping new single and visualizer, “Reason to Stay”. Serving as the fourth release and focus track from the album, it’s a raw, abrasive offering, pulsing with distortion and resilience, anchored by a pounding bassline where vocalist Rita Lukea leans fully into the chaos–confronting betrayal head-on.

Speaking on “Reason to Stay”, Rita Lukea shares, “The focus track of the album embodies aggression. With a pounding, abrasive bassline and a chorus that’s shouted at you: “What’s the point of giving less than 100%? You pushed me to the limit what the fuck you expect?”  Rita introduces the idea that resilience can be ugly and wrathful, and when faced with the option to leave, she chooses to stay –  “Just to hear you scream”.

Coinciding with the news, Pixel Grip has announced they will embark on their North American headline tour this Fall, which will kick off in St. Louis on September 23rd. The 26-date Percepticide tour will see Pixel Grip trek across the US and Canada before it wraps with a hometown show at Metro in Chicago on November 14th (full dates below). Artist pre-sale begins on Wednesday, venue pre-sale begins on Thursday, and general ticket sales begin this Friday, May 9th at 12PM local time. For more information and ticket purchasing visit https://pixelgripmusic.com/tourdates.

“Reason to Stay” follows the previously released pulse-pounding singles, “Split”, “Stamina” and “Bet You Do”. Continuing to push boundaries, Pixel Grip—comprised of Rita Lukea (vocals), Jonathon Freund (synth), and Tyler Ommen (drums) is a genre-defying force. Blending darkwave, electronic, and avant-pop influences, the trio consistently expands their sound while maintaining their signature raw energy and star power.

Written over a three-year hiatus between Los Angeles and Chicago, Percepticide: The Death of Reality is the sound of fragmentation, catharsis, empowerment, and rebirth. It’s a raw exploration of personal and collective struggles. Born from a period where each member confronted their own demons of betrayal, addiction, neglect, and emotional fracture—the album captures a band navigating the collapse and reconstruction of perception, identity, connection, and reality(ies), resulting in a sonic palette that reflects destruction and rebirth.

Pixel Grip shares, “The album title itself is a portmanteau of “percipere” (to perceive) and “-cide” (to kill), signifying “the killing of perception.” Percepticide: The Death of Reality is more than just an album—it’s a visceral experience, a statement, and a call to redefine how we see the world.”

Rita adds, “‘Percepticide’ is a cognitive distortion and a symptom of trauma – beliefs you hold to be true are shattered – as you question everyone and everything around you. My dream is that expressing my rage can help someone else feel empowered and at the very least, less alone. You’re never stuck, and you’re never alone.”

Known for their seductive, avant-garde aesthetic and electrifying live performances, Pixel Grip has cultivated a cult following through relentless touring and an unapologetic exploration of themes rooted in desire, power, and liberation, amassing over 7M streams to date. In 2024, they toured as direct support for HEALTH and DEHD, followed by a sold-out North American headline run, including a standout performance at Chicago’s RIOT Fest. Their underground anthems “ALPHAPUSSY” and “Demon Chaser” have caught the eye of high fashion houses and have been featured on fashion runways for VERSACE and Alexandre Vauthier.

Now, with their third album and headline tour on the horizon, Percepticide: The Death of Reality marks a bold new chapter in Pixel Grip’s evolution—furthering their sonic and artistic vision into thrilling, uncharted territory.

8. Knowledge The Pirate – The Round Table

Knowledge The Pirate returns with a powerful new statement with his new album, The Round Table, which is now available.  The Round Table is produced in its entirety by longtime collaborator and legend Roc Marciano through his Pimpire International imprint.

With roots in New York’s revered ‘90s hip-hop scene, Knowledge The Pirate has steadily built a reputation as one of the genre’s most consistent and authentic voices. A frequent Roc Marci collaborator and key figure in the modern underground renaissance, Knowledge fuses golden-age grit with new wave innovation—bridging generations while staying firmly rooted in New York’s timeless sound.

Since his 2018 debut Flintlock, Knowledge has carved a lane entirely his own through his label Treasure Chest Entertainment, Inc. With five acclaimed projects under his belt, including the recent 5lbs of Pressure, he continues to deliver unfiltered street wisdom and personal reflection in every bar.

The Round Table stands as a testament to his evolution—an uncompromising body of work laced with Roc Marciano’s signature production and Knowledge’s lived-in lyricism. It’s not just a record—it’s a meeting of the minds, an audio council of kings.

“The Round Table is cinematic storytelling, teaching street knowledge, eating etiquette that will save your life,” Knowledge professes.  “This album is like an Honorable Elijah Muhammad book, How To Eat To Live.  Produced fully by the true creator of the new wave sound, Roc Marciano, you are all invited to a seat at The Round Table; and break bread with the true Godfathers of this new wave rap renaissance.”   

Knowledge The Pirate’s The Round Table is now available via Pimpire International. 

9. Casablanca the Gawd ft. Che Noir – Readings on the Wall

In an immersive new release that echoes the soul of Golden Era boom bap, rising Buffalo MC Casablanca the Gawd joins forces with fellow hometown heavyweight Che Noir and acclaimed Harlem producer V Don to deliver “Readings on the Wall,” a gritty, reflective track that cuts to the core of life’s day trials and the strength it takes to overcome them.

Set against V Don’s signature production, known for its haunting atmospheres and minimalist boom bap flair, the track is a powerful meditation on survival, vision, and staying grounded in truth. Casablanca and Che Noir trade razor-sharp verses that carry the weight of lived experience, painting vivid pictures of inner-city struggle, conscious decision-making, and perseverance in the face of adversity.

“‘Readings on the Wall’ is more than a song—it’s a mantra,” says Casablanca. “It’s a reminder that obstacles are inevitable, but how you respond to them is what defines your path. Every verse is a page from our stories—lessons learned, mistakes made, and the clarity that comes with growth.”

This collaboration represents more than just a meeting of lyrical minds, it’s a cultural moment for Buffalo hip hop. Che Noir’s rising status as one of the most respected voices in underground rap, combined with V Don’s consistent work with elite lyricists across the country, positions “Readings on the Wall” as a landmark record in the region’s expanding musical legacy.

“Working with Che Noir and V Don felt natural,” Casablanca adds. He continues to push the boundaries of his Grown Man Music movement, a sound and philosophy rooted in emotional intelligence, maturity, and lived experience. With “Readings on the Wall,” he not only reinforces that mission but invites listeners to engage with hip hop that doesn’t just entertain—it educates and empowers.

“Readings on the Wall” is available now on all streaming platforms. For more information about Casablanca the Gawd, visit casablancathegawd.com.

10. Raheem DeVaughn – The Beat Jack” Mixtape Mystery Pack (Vol.1)

Grammy-Award Winning Singer, Songwriter, Producer, Radio Personality and Humanitarian, Raheem DeVaughn celebrates his 50th birthday with the release of “The Beat Jack” Mixtape Mystery Pack (Vol.1)”. Raheem is known for being one of the architects in his genre and the first R&B artist in the early 2000’s to ever release a mixtape.

As he enters the era of the 20th anniversary of his debut album, “The Love Experience,” Raheem is here to remind us, why he is a certified contributor to the culture. Raheem’s 50th birthday celebration continues all week as fans and music lovers around the globe, will experience a daily “beat jack” release from Raheem DeVaughn, leading to the full release on Thursday evening.

The first release from “The Beat Jack” Mixtape Mystery Pack (Vol1.)”, is the chart-topping “Here We Go” from award-winning artist, Coco Jones. “I was very excited to add the Raheem-Flavor to this amazing song by Coco. With my newfound love at my second job, (shameless plug), (as the Host of the Original Quiet storm on WHUR 96.3), I get the opportunity to listen to new music and get to discover many emerging artists early on in their musical careers. In my eyes, Coco was already a star doing the damn thing, so “beat jacking” this song, was a must and I hope that Coco and the listeners are pleased with the Raheem DeVaughn soul-sauce rendition of “Here We Go (RahMix),” he mentions.

11. The Cavemen. – Dancing Shoes

Today, emerging Nigerian Highlife artists, The Cavemen. release their new single “Dancing Shoes” – click HERE to listen / click HERE to watch. The Cavemen. are Kingsley Okorie and Benjamin James, a sibling duo celebrated for their unique take on the Highlife music they grew up listening to, infusing it with modern sensibilities, musical virtuosity, and their own rich, soulful storytelling. In their new single, “Dancing Shoes,” listeners are treated to a joyful mix of traditional African polyrhythms and modern vibes, with lyrics weaving seamlessly from their native Igbo to English, and Benjamin’s playful, muscular falsetto leading the way.

On the release, The Cavemen. state: “The song “Dancing Shoes”  means a lot to us, we want people to let go of all their worries. All we can do is our best and leave it God. We want you to just put on your dancing shoes and dance, feel alive and free. Leave your worries and Burdens at home.”

Gifted players and singers with over 46 million streams worldwide to-date, The Cavemen. invented their unique sound of ‘Highlife Fusion’ which combines Highlife, afrobeats, jazz, and soul music. Deeply inspired by the late Fela Kuti, The Cavemen. are pioneering the renaissance of Highlife music and making it relevant to a contemporary generation that is hungry to connect to their roots. Since their debut and release of their two previous albums, they have also been featured on Davido’s GRAMMY-nominated album, Timeless (click HERE to listen) and joined him on stage at Madison Square Garden. Additionally, they were featured on the tribute album for A24’s Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense (click HERE to listen) and have collaborated with Wizkid, Show Dem Camp, Asa, Ckay, Kizz Daniel, Basketmouth, Lady Donli, Flavour, amongst many others.

Ahead of this release, The Cavemen. were nominated for a 2025 Headies Award for Music Video Of The Year as a feature on Davido’s “Na Money” with Angelique Kidjo (Dammy Twitch). Last year, The Cavemen. dropped their 2-pack bundle “Medicine” and “Opportunity,” – click HERE to listen / click HERE to watch. In the bundle release, listeners can hear the highlife fusion that blends jazz and soulful melodies into one unique sound. They have made a splash in the tour circuit including several festivals in Europe, opening for Wizkid at a sold-out Tottenham Stadium, touring North America for a second time as special guests of Grammy-winning artist PJ Morton, selling out London’s Koko Camden & Church of Sound and going on their first solo US tour in 2024, performing at various venues including Central Park’s Summer Stage in New York. 

Most recently, The Cavemen. were headline performers alongside Amaarae, Fireboy DML, and others for the Wales Bonner one night only musical celebration this past weekend at Guggenheim Museum in New York entitled Togetherness. The event was a distinct creative entity expanding Grace Wales Bonner’s ongoing engagement with the world of music and live performance. 

Stay tuned for more music coming from The Cavemen. soon.

12. Harrison Lipton – Between Us There Runs a Tether

Today, New York’s soft-rock lone cowboy Harrison Lipton has released his sophomore album Between Us There Runs a Tether via Amuse. An album that almost never was, its origins trace back to a breakup in 2021 that then saw Lipton pack up all his belongings and leave LA to move back to New York heartbroken. Inspired by those few weeks of driving aimlessly cross-country, he returned to the upright piano in the living room of his family home in Connecticut, and in one take holding back tears, wrote the song “All For Granted.”

“This album is a snapshot of my late 20s,” Lipton shares. “Feeling down and out, feeling pressured to find the right person to be with, trying to figure out where to go from here, looking in the rearview mirror and seeing the trailing end of a rope connecting the dots between highs, lows, mistakes, heartbreak, joy. And then at the same time, looking forward and seeing that same rope stretching into the future with all the endless possibilities and realizing that I’m just at one point on that line, because Between Us There Runs a Tether.”

Recently, Lipton has built up his songwriting and producing credits for other artists including MICHELLE, Yot Club and Morning Silk. His growing experience as a collaborator informed and shaped the artistic process as he revisited his own music:

He said, “I, in turn, wanted my own project to obsess over and tweak ad infinitum, an outlet to express myself. My circumstances of broken relationships and self-defeat meshed with my growing interest in the paradigm of the down-and-out songwriter, the lone cowboy who lost everything, and propelled me toward leaning into my own take on the soft-rock sound of the late ‘70s. I had finally allowed myself the space to create a record that felt very, very me. This is the truest manifestation of my love for music, and I hope it serves as helping people recognize that this is what a Harrison Lipton song sounds like.”

The initial concept of the album saw the gut-wrenching “All For Granted” as the closing track, but as Lipton sat with his work, he realized that after surviving the emotional gauntlet of the previous few years, the LP needed a more accepting verdict.

“As soon as I wrote ‘The End Of The Line,’ I knew it was the proper album closer,” Lipton explains. “Taking the lyrical themes of the previous songs and giving new meaning to them, it’s a story about moving forward and turning the page. Only twice on the album do I sing the line ‘between us there runs a tether’: first, on ‘Tether,’ when it’s a wishful thought at maintaining connection, and then on ‘The End Of The Line,’ when it’s followed by ‘but I chose the open road / and I’m alone again.’ Also harkening back to ‘On My Own,’ the thought of being alone now is freeing, and at the end of the record I’m released from the aspect of the tether that was tying me down.” 

As he artfully meanders through every stage of grief and recovery throughout, the album is tied together by a down-the-road perspective knowing he’s better off than he was when he first began.

Truly building a community around his work, from the guest features from Yot Club and MICHELLE’s Layla Ku, to using studio space from Ian Bakerman and Aidan Ludlam of booyah! kids, Lipton can’t help but to feel grateful. 

“The point is that it takes a village, and the fact that a community of NYC musicians came together and believed in this album is a tremendous gift, and one that I will cherish long after it’s out.” 

To celebrate the release of Between Us There Runs a Tether, Lipton will host an album release show at Brooklyn’s Public Records this Friday, May 9. The night will be opened by Fetch Tiger and Sofia D’Angelo. All show info and tickets here.

13. Riovaz – Everybody's Gone

Today, Riovaz unveils his latest single, “Everybody’s Gone,” a euphoric anthem with a powerful, introspective message. With his signature vibrant vocals layered over transcendent production, Rio delivers a track that speaks to personal empowerment. He reflects, “I know who I am — I don’t need anyone’s permission. Everybody’s gone, just like I wanted.” Listen HERE. This release follows Riovaz’s explosive, sold-out shows at Chicago’s Lincoln Hall and Los Angeles’ Echoplex. He’s now gearing up to wrap up his tour with upcoming performances in Brooklyn and Austin. Tickets are available HERE. 

“Everybody’s Gone” arrives on the heels of a whirlwind year for the newly independent 21-year-old artist, following the release of his self-titled debut album, Riovaz. The 11-track project explores relationships, vulnerability, and growth. From the infectious club beats of “brush it off!!!” to the contemplative “m I wrong?” and “warm face,” the album captures a wide emotional spectrum. This debut marks an exciting new chapter for Riovaz, combining catchy melodies with deep emotional insight. Listen HERE. 

In  2024 he released The Heart Racers, a collaborative EP alongside Kanii and Nimstarr, which highlighted his genre-blending artistry and set the tone for his evolving sound. Shortly after, Riovaz captivated listeners with the standout singles “I Wonder” and “Lavender Town,” each of which beautifully reflects his signature atmospheric drum and bass style infused with experimental elements from various genres. This summer, he rounded out his season with performances at Governors Ball in New York and Lollapalooza in Chicago before putting the final touches on the album.

The past few years have been an exhilarating journey for the New Jersey native. In 2023, he released his debut EP Disturb The Norm, which garnered praise as “instantly catchy” (Our Generation), “cathartic dance perfection” (Ones To Watch), and led Billboard to call Rio an “irrepressible 18-year-old dance king,” and highlight him as a “21 Under 21” artist to watch. Office Magazine also recognized him as “boundless in his craft and sound.” The EP paved the way for an exciting adventure as Rio crisscrossed the map, setting stages ablaze with unforgettable performances on his RIORAVE Tour. He brought his show overseas for three additional dates before returning to the states to perform at Pharrell Williams’ Something In The Water. That fall, he continued the momentum with the second leg of his sold-out tour.

Following the buzz around RIORAVE, he launched a collection of tracks like “Crying at the Orgy,” a glitchy and moody exploration; “The Rake (Can’t Complain),” an angsty anthem with intimate lyrics and rapid-fire percussion changes that gained traction on TikTok; and “Waiting Alone.” With a rapidly growing fan base and an impressive array of performances, this journey is far from over—brace yourself for more from Riovaz.

14. Frankie and the Witch Fingers – Dead Silence

Today, influential Los Angeles psychedelic punk rockers Frankie and the Witch Fingers have shared “Dead Silence,” the latest single from their new album Trash Classic (June 6, 2025 // The Reverberation Appreciation Society / Greenway Records). An official video accompanies the track – watch HERE. The band has also prepared an announcement that’s sure to thrill fans in London, New York City and Los Angeles – the week leading up to the release of Trash Classic will see them perform at intimate venues in each city. On May 30, the band will perform at London’s Shacklewell Arms, before returning to America for shows at New York City’s Berlin on June 5 and Permanent Records Roadhouse in Los Angeles on June 7.

The new track comes just before their impressive slate of headline world tour dates begins at The Netherlands’ Sonic Whip Festival, after which the band will criss-cross mainland Europe before doing the same back in the States later in the summer. See below for the full list of tour dates, including these new album release shows.

“This one’s got a nice little origin story,” the band says about the “Dead Silence.” “We played a festival in Boise with Spacemoth, Maryam Qudus’ brainchild, and met her for the first time there. Cut to a year later, and she’s deep in the guts of this record – producing, engineering, twisting knobs, and arranging sounds with us.

On the flight home from that Boise show, Josh threw on the Spacemoth album for the first time and got his brain microwaved. He also recorded the plane taking off, just on a whim. That roar ended up in the bridge of DEAD SILENCE. It’s a nice crusty texture, but it also weirdly bookmarks the start of it all.

Maryam’s all over this record. She sings, plays, distorts, haunts – leaving smudges on everything in the best way. She rules, and we were happy to accidentally mark the occasion sonically with a little jet-engine weirdness.”

Trash Classic follows another sort of classic, the band’s widely-acclaimed 2023 masterwork Data Doom. FLOOD Magazine had an almost prescient take, noting that Data Doom “feels much more in line with vintage dystopian sci-fi connotations, swapping weed-smoke riffs for frigid new wave pulses.” SPIN Magazine was early on the scene to declare the band has “become a heavy hitter in the underground rock, punk, and psychedelic circles,” and Exclaim! praised the band’s tendency to “walk the line between chameleonic and commanding, wielding endless inventiveness as a weapon to outsmart artificial intelligence.”

In addition to enjoying global press accolades in 2023, the band also played their biggest shows yet (including headline festival appearances), recorded a very special KEXP live session, and reached #3 on Billboard’s Alternative New Albums and #4 on Top New Artist Albums charts.

Hooks so infectious they rot on impact. Trash Classic marks a feral mutation for Frankie and the Witch Fingers—a record that snarls with proto-punk venom, angular melodies, and electronic textures that cough and sputter like dying neon lights under a poisoned sky.

This record pushes the Witch Fingers’ sound to a razor’s edge. Wiry and twitching, it bends into synth-punk and fractured new wave, with fragments of industrial grime caked under its nails. Guitars detonate and slice like cinder blocks through glass, while gnashing basslines slither through the sludge, alive and seething. Buzzy synths take the forefront, driving relentless rhythms that crack and pop, drenched in a chemically saturated sheen—part bug-eyed speed-freak pogo, part dance-floor delirium. The vocals cut through like static-laced transmissions—balancing both smirk and sneer—layering playful unease over themes of escapism, decay, and overindulgence.

The songs were born in the grime of Vernon, Los Angeles—a wasteland littered with gutted RVs and rusting machinery, where the air tastes like asphalt and dog food. But the real alchemy happened in Oakland, at Tiny Telephone Studio, where producer Maryam Qudus (La Luz, Spacemoth) helped transmute the tracks into their final forms. Unhinged tones, unconventional recording experiments, and wild sonic detours transformed the songs into something alive and unpredictable.

Every day of recording began with cartoons blaring at full volume—a Looney Tunes ritual that turned the madness of the recording process into something child-like. Late at night, sugar-fueled candy binges kept the energy spiking, pushing the sessions into a fever dream of jittery, spastic playfulness.

The result is a raw, twisted monument to rot and excess—toxic glamour and nihilistic salvation. Trash Classic isn’t just a record; it’s an auditory dumpster bible—a gutter gospel for those ready to dive into its filth.

15. IOTheSinger – I Got A Ticket

After being “Beautifully Broken” earlier this year, IOTheSinger pays the price on her latest release “I Got A Ticket.” Joined by the in-house ensemble of Chris Fisher (keys), Austin Stahle (guitar), Jon Laine (drums), Jean-Francis Varre controlled the (bass) and Frank Marchand (mixing/recording engineer) alongside Jose Bejaraño Arca, the Country-Pop declaration spotlights the poorly designed healthcare system in the states.

The record serves as the Second Single from her forthcoming project IO and is coupled with the announcement of an International Tour which kicks off on May 16th in Córdoba.

–

“I have been in situations where I had to decide between paying a bill and seeing the doctor. I have been in situations where I have avoided going to the doctor all together. How am I supposed to pay a ticket or my car note when I cannot afford a doctor’s visit or health insurance? 

I felt trapped, like the system was against me in these situations, I was going under and mad at the CEO’s, the “man” who live off of my hard earned dollars working paycheck to paycheck. The Iyrics, I got a ticket but I’ve got rent to pay, are a real sentiment a lot of Americans are feeling especially now. I wrote this song for the people like me who need to yell and scream at the people in power who do not see us or our needs,” the artist formerly known as AYO reveals in a press statement to Medium Creative Agency.

16. Landstrip Chip, G Herbo, Babyface Ray, OG Parker – Trophies

Grammy-nominated, multi-platinum artist Landstrip Chip returns with “Trophies,” uniting three standout voices in hip-hop: G Herbo, Babyface Ray, and Chip himself. Riding over a sleek, minimalist beat crafted by powerhouse producers OG Parker, Jetson, and S Dot, the track serves as a gritty yet triumphant celebration of success. With razor-sharp verses and a victorious tone, “Trophies” captures the relentless hustle and earned glory of its collaborators.

Chip previously released the singles “Both Ways,” “No More Rainy Weather” ft. Biirthplace and “Switching Positions” ft. Vory.

Atlanta’s Landstrip Chip was a teenage member of the group Rebel Gang alongside Yak Gotti and Rico Cash, and he garnered invaluable experience, signing his first major label deal, recording in the studio, and performing live. Instead of attending “proper” audio engineering school, he holed up in fellow producer Sonny Digital’s home studio and personally engineered sessions for various Atlanta luminaries, including Migos, ILoveMakonnen, Bankroll Fresh, Tracy T, and OJ Da Juiceman.

During this time, he ignited a prolific run as a producer. Working with Ella Mai, he crafted the platinum-certified “10,000Hours,” platinum-certified “Watchmacallit” [feat. Chris Brown], and gold-certified “DFMU.” Among dozens of tracks, his catalog expanded with“Like I Used To” for Tinashe, “4Min Convo (Favorite Song)” for A Boogie Wit Da Hoodie, “Flewed Out” [feat. Lil Baby] for City Girls, “I Need More” for PNB Rock, and more. In 2024, he notably co-wrote and lent background vocals to “Runnin’ OuttaTime,” which graced the Future and Metro Boomin joint blockbuster WE DON’T TRUST YOU. 

17. TA Thomas – Southern Soul

Today, rising R&B singer-songwriter TA Thomas uncovers his new EP, The Southern Soul EP, out now via High Standardz/Def Jam Recordings.

The five-track body of work captivates with a downright undeniable hybrid of soul, R&B, blues, and gospel. On the opener “Risky,” divinely bright keys give way to a tiptoeing bassline accented by echoes of guitar. His lovestruck delivery enchants as he declares, “Your face speaks a language that I embrace when I’m with you,” going on to urge, “Loving is easy, so give it a try.” A slow drip of funk guitar and piano wash over a sparse beat on the alternately sultry and cheeky “Angry.” He flexes his range during the sky-high hook, “I love it when you get angry.” Elsewhere, “Devotion” hinges on a skittering beat as he wonders, “How deep is your love?” His falsetto takes the spotlight as cinematic strings resound. Then, there’s the soulfully sweet “Girl Of Mine.” The vocals swoon over a deftly plucked bass, and he sets the scene, “Let me tell you about this girl.” The momentum picks up with the tempo and he promises, “I’ll never find a girl as good as mine.”

He paved the way for The Southern Soul EP with “Preach.” The latter has already amassed 324K Spotify streams. Earning immediate critical acclaim, Rated R&B professed, “The divine track, co-written by Lucky Daye, finds TA enraptured by his love interest’s allure while confessing his willingness to surrender to temptation.” Billboard touted it among “R&B/Hip-Hop Fresh Picks of the Week,” going on to state, “TA Thomas has been committed to making real R&B — rapid-fire riffs, bare chest and all — for some time now, and he’s doubling down with ‘Preach’.” Listen HERE.

TA Thomas continues to showcase his artistry and storytelling prowess with each new release. Last year, he initially delivered “Angry.” Earning acclaim, ESSENCE hailed it on “Best New Music This Week,” and Rated R&B praised it as “alluring.” Billboard named it one of the “R&B/Hip-Hop Fresh Picks of the Week,” going on to highlight how, “‘Angry’ showcases the beauty of experiencing the full emotional spectrum with the person you love the most.” 
 
Now, he’s poised to make a lasting impact on the R&B landscape. 

18. Honey Bxby ft. Toosii – 3AM

Honey Bxby isn’t letting up. The New Jersey-born R&B breakout returns with her latest slow-burning anthem, “3AM” featuring platinum hitmaker Toosii. Out now via Rebirth Ent./ART@WAR/Warner Records, the seductive duet sets the tone for her highly anticipated EP Raw Honey, dropping May 30.

“3AM” oozes late-night longing — all smoky vocals, simmering tension, and undeniable chemistry. Honey floats over the woozy production with her signature warmth, singing, “It’s 3 AM, and I’m still up waiting on you.” Toosii slides through with velvet-smooth bars, matching her mood and energy. It’s the kind of record made for replaying when the lights are low and feelings run high.

The new single follows the buzz of “Think I Might” and showcases another layer of Honey Bxby’s artistry — softer, more vulnerable, but just as commanding. Raw Honey promises more of that duality: sweet and unfiltered, tender and bossed up.

With major co-signs from legends like Mary J. Blige and Busta Rhymes, a fire collab with Fivio Foreign, and tour runs alongside Sexyy Red, Flyana Boss, and SAINt JHN, Honey Bxby is staking her claim as one of R&B’s most compelling new voices. Press outlets like Rolling Stone, Billboard, and VIBE are already tuned in, and the fans want more. As “3AM” sets the mood for what’s to come, Honey Bxby proves that Raw Honey isn’t just the title — it’s the vibe. Intimate. Unapologetic. Addictive

19. 2BYG – Karma

After buzzing online and stirring up excitement with a series of stunning performances, rising Texas R&B group2BYG unveil the music video for their official debut single “Karma” out now. It also notably marks their first release for Waystar Records/Def Jam Recordings. Listen HERE. Watch HERE. 
 
The quartet—Matt Brown, Tourè, Nixx, and KD —have taken flight out of Dallas-Fort Worth and achieved “Up Next” status for R&B. They’ve quietly attracted over 1 million followers on TikTok thanks to a series of viral covers and posts. Now, they maximize this momentum by dropping “Karma.” Written by GRAMMY® Award-winning songwriter Talay Riley [Usher, H.E.R.], the track layers bright synths above a hypnotic beat. Channeling a throwback groove with fresh Gen Z energy, the guys trade smooth and slick harmonies back and forth, highlighting their chemistry front and center. It culminates on a chantable hook, “What goes around comes back around.”
 
About “Karma,” Tourè said, “‘Karma’ is deep, because it discusses how what goes around really does come back around. You can apply that to life in so many different ways. It’s a universal concept.”
KD added, “We’re all faith-based individuals. I believe you reap what you sow. The song captures this sentiment. Whatever you’re putting into a relationship or friendship is what you’re going to get back. That’s the way the world works. It’s real, and it shows up in everyday life.”
 
It’s just the beginning, though. Stay tuned for a whole lot more from 2BYG coming soon.

20. Hulvey & Alex Jean – Rain On Me

Coming off his headlining North American tour, God-fearing rapper Hulvey has officially delivered his highly anticipated new single “RAIN ON ME” featuring Alex Jean – out now via Reach Records. Recently previewed during an interview on The George Janko Show (788K views), and premiered this Wednesday (May 7) via On The Radar, Hulvey’s second single of the year inspires a sing-along for anyone grateful for God’s love.

Speaking about the single Hulvey shares: “Mannnn, I love this song ‘cause first off, my wife always asks me to play it! And second off, it’s me and Alex Jean looking back on how God came into our lives and how much we need him now!”

Back in February, Hulvey teased “RAIN ON ME” during the early stages of his 32-stop “All For You” tour. The snippet left fans clamoring for it ever since, and now the song arrives with a fresh verse from a familiar face. Alex Jean – who featured on Hulvey’s sophomore album CRY (“Love Like That”) – reflects on his journey of growth throughout the track. With hearts that are filled with gratitude, Hulvey and Alex count their blessings, perfectly aligning with the uplifting spirit of this release. 

“RAIN ON ME” follows one of Hulvey’s most-streamed songs to date, “BRING HEAVEN DOWN,” which was released earlier this year. It also arrives on the heels of the “All For You” tour with opener nobigdyl. The nationwide run achieved remarkable success, selling over 30,000 tickets, including sold-out performances in New York, Orlando, Denver, Seattle, Charlotte, and Portland.

Alex Jean & Hulvey are a match for the current state of rising Christian hip-hop. With Hulvey’s 2023 charting single, “Altar,” seeing its highest streaming day ever in mid-April – two years after release – his catalog continues to show promise. The single has also been remixed by GRAMMY® Award-winning R&B-pop star Ciara and notably follows 2024’s CRY LP – which debuted at #1 on a major DSP Christian chart.

Stream “RAIN ON ME” and stay tuned for more from Hulvey.

21. Luck ft. Mannywellz – Sunshine

Emerging artist Luck (@Iamluck) is back with a new single that’s sure to make you feel the summertime vibes. “Sunshine” is her latest release featuring Mannywellz and it’s a deeply heartfelt track that blends nostalgic soul, raw emotion, and a radical sense of love. Out now via United Masters, “Sunshine” is a feel-good song that tells a straightforward love story.

Written from a place of longing for home and solitude, “Sunshine” is an evolution in Luck’s artistry, marking a new chapter that’s both more personal and more expansive. “This is a love story—not of grand gestures, but of something deeper, older, and rooted in the simple truths of life,” Luck says.

From her Virginia roots and early performances at age nine, to a life shaped by both sports and spirit, Luck’s music is fueled by divine purpose and personal truth. The track’s mellow yet powerful energy is reflected in three words: radical love, raw, nostalgic.

Joining Luck on “Sunshine” is Nigerian-American artist Mannywellz (@mannywellz), whose soulful voice and message-driven artistry align perfectly with the track’s tone. The collaboration came naturally after a chance introduction at a show in Los Angeles. “I’d been praying to work with like-minded souls,” says Luck. “And then Manny walked through the door.”

“Aligning with an artist as genuine as him felt like permission to be as vulnerable as I wanted to
be,” Luck says of the track.

Accompanying the single is a visually rich music video. It consists of a time-lapse love story tracking two people from childhood to old age. Featuring both artists in a playground setting, the visual leans into childlike symbolism to portray love that is eternal, untainted, and grounded in something greater. “The sandbox becomes a metaphor for the soul,” Luck explains. “Where truth and love were etched into us early on, and never faded.”

“Sunshine” is the latest offering from Luck’s upcoming debut album, It Wasn’t Luck – The LP, a project that promises to be equal parts personal testimony and creative breakthrough.

“I hope this song feels like a deeply nourishing hug,” Luck says. “It’s a reminder that the simple, sacred things are often the ones that bring us back to ourselves.”

“Sunshine” ft. Mannywellz is available on all platforms now.

22. Loyle Carner – about time/lyin

Today, Loyle Carner shares new singles “about time / lyin.” This marks Loyle’s second, surprise two-song drop to preview his hugely-anticipated new album hopefully !, which will be released on June 20th via Island EMI and was introduced recently alongside the beguiling double single “all i need / in my mind.” 

Following the album’s release, Loyle Carner will be heading on his hopefully ! world tour featuring an extensive run of global dates – beginning with his Glastonbury headline set this Summer, a string of European dates in October and continuing on to a US run in February 2026 with shows in New York, Chicago, D.C., Los Angeles and more. Full tour routing can be found below. 

“about time” has the instant feel of a landmark Loyle Carner record. Contemplative but uplifting, its loose, live-band sound cushions a flow of startling honesty into growing up: what you let go of, and what you carry with you, out of adolescence. Although universal in spirit, “about time” is vividly open in personal detail: the track closes on a conversation about home between father and son, a relationship threaded throughout hopefully ! right down to its suitably-imperfect artwork (coloured in by his kid after Loyle left some photos within arm’s reach). 

B-side “lyin,” meanwhile, puts Loyle Carner’s long-hidden singing voice boldly front and centre. Fusing lullaby-esque acoustics with hushed rap, its tangible sense of light contends with the anxieties of love, and the growing responsibilities of adulthood. 

hopefully ! is Loyle Carner as you’ve never seen or heard him before. A life-affirming exploration of fatherhood and childhood, the album is buoyed by a positivity and lightness of touch achieved in large part by stepping out of his comfort zone. In a series of firsts – singing, producing, accidentally forming the band of his dreams – Loyle Carner cultivates healthier boundaries while also allowing his audience in. It’s a new era in which Carner continues to push the boundaries of his art, and himself: a passionate advocate around his experiences of dyslexia and ADHD – notably founding the Chilli Con Carner cookery workshops – last year he received an honorary doctorate from UAL in recognition of his powerful rise thus far. He was also recently confirmed to make his acting debut in Mint, a BBC drama from BAFTA-nominated Scrapper director Charlotte Regan, with further exciting visual projects to follow. 

Loyle Carner first emerged with 2013’s A Little Late EP, and has since forged a signature blend of unflinching, diaristic lyricism with ambitious, genre-disruptive sounds. His debut album, 2017’s Yesterday’s Gone, untangled personal experiences of grief, and the pressures of coming-of-age; 2019 follow-up, Not Waving, but Drowning, further showcased Loyle’s ability to set hip-hop against old-soul wisdom. A cathartic turning point proved to be 2022’s hugo: a taut, textured exploration of Black identity and anger, which also secured his second Top 3 album. Having been twice shortlisted for the Mercury Prize – and scored further BRIT and NME Award nominations – Carner has earned an impassioned worldwide following, with 1.1B streams, campaigns with global brands (YSL, New Balance, Nike) and sold-out shows including Alexandra Palace, Wembley Arena, Eventim Apollo, O2 Academy Brixton and Royal Albert Hall in his beloved London hometown alone. This journey climaxed in a headline appearance at All Points East’s 35,000 capacity Victoria Park last summer, which hopefully ! emerged in the wake of.

Singer; rapper; poet; writer. hopefully ! proves Loyle Carner is all of these and more. 

23. Kleo – Everything Everywhere at Once

Copenhagen based singer-songwriter Kleo returns with the single “Everything Everywhere at Once” – a hyper romantic piano-driven pop-production – led by her expressive and soaring vocals, out everywhere via Tambourhinoceros. The song captures the feeling of love’s powerful pull and is accompanied by an enchanting music video. “Everything Everywhere at Once” marks Kleo’s first release since her debut EP, I Love This Movie, including viral songs “Miss You” and “Beautiful Life.”

Kleo, who spent 2024 in the studio writing songs, sets the stage for a new chapter with the single “Everything Everywhere at Once.” The single is guided by her expressive signature vocals and backed by the piano and cinematic strings. It captures the irresistible and all-consuming feeling of falling in love – like an event horizon, which is the edge of a black hole where gravity is so strong that nothing escapes. 

Lyrics HERE

Kleo says about “Everything Everywhere at Once”: 

“A few years ago, I fell deeply in love, to the point where time and everything around us completely melted together! When I’m in love, I feel invincible. The horizon is wide open, and everything is possible – the sun always shines on me, and the wind is always at my back. I always enter these kind of relationships completely unguarded because that’s where I feel whole and inspired. It’s also this feeling driving me to write my songs.“

“Everything Everywhere at Once” arrives with a music video which reflects the song’s dreamy and aesthetic universe. It portrays Kleo in moments where everyday magic and love-struck glances emerge. Anton Isbrand has directed the music video.

24. CG5 – Hold The Mine

After four years away from Minecraft-inspired music, top-charting artist CG5 is making a powerful return to the blocky universe with his latest project: a sweeping rock opera titled “Hold The Mine.” The brand-new single drops May 9th, riding the wave of excitement sparked by the recent Minecraft movie.

“This isn’t just a comeback single—it’s a full-scale musical adventure,” says CG5. “With big emotions, big
guitars, and a storyline that hits home for any Minecraft fan, I wanted to create something that felt like the
game itself: immersive, unpredictable, and deeply personal. The movie reminded me how many people
Minecraft has impacted, and I knew it was the perfect time to go all out.”

Blending his signature sound with powerful storytelling, CG5 reimagines the Minecraft experience through
a rock opera lens. Fans can expect high energy, heartfelt lyrics, and a journey that captures the spirit of creativity and discovery that defines the game.

25. Hurricane Wisdom ft. Sleepy Hallow – Kinfolk

Hurricane Wisdom enchants with entrancing melodies, transforming street stories into infectious earworms. Today, the Havana, Florida native teams up with NYC stalwart Sleepy Hallow for “Kinfolk,” the new music video from his hit project Perfect Storm. Produced by PlutoBrazy, Harryyyeast & Reapy Montana, “Kinfolk” is a minor-key trap ballad, as both rappers use their signature melodic approaches to praise the loyal soldiers who will hold it down even after they are gone: “Best believe this sh*t go bad, I did it all for my kinfolk,” sings Hurricane. In the video, Hurricane and Sleepy run a body shop with baddies for employees, as they count clandestine cash and live it up in the local club. “Kinfolk” follows recent videos for collabs like “On God” ft. Raq Baby (2.8 million views) and “Mind Gone” ft. Dthang (1.2 million views).

Charting on the Billboard 200 for three weeks (#126 peak), Perfect Storm illustrates why Hurricane Wisdom is one of the most exciting artists in Florida’s bustling rap scene. From the opening track, the invigorating chipmunk soul “No Fatigue,” to the aching viral hit “Drugs Callin’” (9.3 million YouTube views), Hurricane delivers addictive melodies and unapologetic lyrics with the kinetic urgency of an artist hellbent on achieving rap stardom. Perfect Storm is home to “Giannis (Remix),” a new version of Hurricane’s 2024 breakout hit with a guest verse from Polo G. The remix has over 1 million streams across platforms, and came hot on the heels of “Salute” (2.7 million video views), his collab with fellow North Florida rapper Loe Shimmy. Featuring additional guest spots from NoCap, Fredo Bang, Skilla Baby, and more, Perfect Storm is available on all platforms via Open Shift Distribution.

Born and raised in Havana, Florida, just 30 minutes from Tallahassee, Hurricane Wisdom earned a big fanbase (207k YouTube subscribers, 369k Instagram followers) with his emotionally honest lyrics and entrancing melodies. His 2024 project Eye Of The Storm featured “Giannis,” a kinetic anthem dedicated to the Milwaukee Bucks superstar, which became Hurricane Wisdom’s biggest hit to date, with over 15 million YouTube views and 6 million Spotify streams. “Giannis” earned rapturous reviews from critics, as well, including Pitchfork, who called the song “the feel-good Florida anthem of the moment” and listed it at #36 on their list of the 100 Best Songs of 2024.

With co-signs from Rod Wave and NLE Choppa, an opening slot on tour with BossMan Dlow, and coverage in Billboard, BET, UPROXX, and more, the conditions are perfect for Hurricane Wisdom to make a major impact on the rap game. Keep an eye out…a storm is coming.

26. Jake & Shelby – Loophole

Today, Nashville-based pop duo Jake & Shelby released the radiant new single, “Loophole,” which wrestles with the emotional walls and hesitation to fully trust again. Out now via EMPIRE Nashville, listen to the new pop bop HERE and watch the accompanying music video HERE.

With soaring melodies and catchy hooks as Shelby sings: “I think I’m done being cynical. Mastered the art of the push & pull,” the new single perfectly captures the scary but special feeling of opening yourself up to love again.

On the making of “Loophole,” Jake & Shelby shared: “During a writing session in LA, we got on the topic of what it’s like to feel ready to love again. How whenever you’ve come out of relationships that let you down, it’s hard not to expect the same thing out of a new relationship and it almost feels stupid to let yourself trust someone again. We wrote this song about getting to a place where you can’t find the loophole in someone even if you try and slowly feel ready to love again.”  

The young singer-songwriter duo emerged in early 2022, fresh-faced with a mesmerizing pop sound and heartfelt lyrics that quickly gained a devoted fan base, including notable figures in entertainment such as Michael Bublé, Gracie Abrams, and the Kardashians. As Jake & Shelby prepare for a new project, they are expanding their musical style, which is a showcase in emotive indie rock and earworm pop melody, crunchy guitars, haunting piano, and vocal harmony with Jake’s powerful harmonic abilities melding with Shelby’s jazz-tinged vocals. “Loophole” is the duo’s first new release of 2025 following last year’s singles “Control” and “Chasing Ghosts,” which emphasize their relatable songwriting.

What started as a few simple social posts of acoustic duets has led to a global following for Jake & Shelby with millions of streams and over a million followers on socials to date. Acclaimed artists including Gracie Abrams have sung praises on social media. Michael Bublé dueted with them via social media and invited them to sing with him backstage before a show at Bridgestone Arena (watch here). Even Kim Kardashian asked them to send a special birthday song to her sister, Khloé (read the People exclusive here). 

All these celebrity endorsements could go to a young group’s head but not Jake & Shelby who remained focused on their songwriting, putting in the work, and not missing any steps on their way to nascent pop stardom. They are currently touring the US, opening for Stephen Stanley, and will have their own headline dates later this year. Visit https://jakeandshelby.com/events/ for tickets and more information.  

27. Rhiannon Rodriguez – Bittersweet

Today, rising singer, songwriter, and visual artist Rhiannon Rodriguez unveils her debut EP, Bittersweet, via Cosmica Artists. Led by the powerful focus track “If I Could” and its official music video—out now—the project marks a major artistic milestone for the 19-year-old multidimensional talent.

The video for “If I Could” features an intimate, emotionally raw performance that visually amplifies the song’s vulnerability and depth. Set in a dimly lit, stripped-down space, the video captures Rhiannon in a moment of reflection, letting the lyrics and delivery take center stage without distraction. It offers a powerful visual complement to the themes of longing and self-confrontation found throughout the EP.

Bittersweet is a deeply personal, five-track exploration of the emotional dualities that shape us—joy and grief, nostalgia and release, tenderness and rage. At its heart, the EP is about the loss of a formative friendship and the emotional aftermath that follows. Through confessional lyrics and soul-soaked melodies, Rihannon processes what it means to grow apart from someone you once considered family, while learning how to honor that history without being held back by it.

Released in April, “Lie I Can’t Deny” offered a haunting glimpse into heartbreak and self-preservation, anchored by Rhiannon’s lyrical depth and soul-soaked delivery. The accompanying live performance video—filmed in one take at Troublemaker Studios in Austin and featuring her father Robert Rodriguez’s band, Chingon—further highlighted her commitment to honest, stripped-down storytelling. Her debut single “Pink Lemonade” introduced a brighter energy: a nostalgic tribute to friendship, innocence, and fleeting moments of joy.

“I named it Bittersweet because every song holds a little of both,” says Rhiannon. “Even in the best memories, there’s a trace of sadness. Even in heartbreak, there’s growth. This EP is me learning how to live with that.”

Raised in a creative household filled with film, music, and visual art, Rhiannon Rodriguez brings a multidisciplinary approach to everything she touches. Her work merges bedroom pop, indie soul, and jazz-influenced vocals with immersive visual storytelling—crafting a world that’s entirely her own.

Bittersweet is available now on all streaming platforms.

28. Sam Varga – Long Way Back

Nashville-based artist, songwriter, and multi-instrumentalist Sam Varga returns with his poignant new single, “Long Way Back,” a raw, reflective track that dives into the emotional wreckage of staying too long in the wrong place.

“Long Way Back” blends Sam’s emo-rooted honesty with stripped-down, Americana textures—including a touch of mandolin—that deepen the song’s introspective weight. It’s a story of heartbreak told in hindsight, where clarity only arrives once you’re already lost.

“I was with someone special for a long time, but deep down, I always knew it wasn’t right,” he shares. “One day, you wake up miserable, wondering how you got there. I think we’ve all been in something we knew wasn’t for us. The longer you stay, the harder it is to leave, and the longer it takes to find your way back. It’s like missing your exit on the highway and watching it disappear in the rearview, getting further and further away. Eventually, you have to tear yourself away to save yourself.”

Sam Varga is a Nashville-based artist blending his emo roots with Southern grit and singer-songwriter soul. Originally from Louisville, Kentucky, he came up in the city’s DIY emo scene, cutting his teeth on loud guitars, basement shows, and late-night chaos. At home, his parents filled the house with ’80s rock, Southern staples, and classic lyricists, giving him a rich musical foundation that laid the groundwork for his genre-blurring sound. That blend of raw punk energy and emotional storytelling forms the backbone of his sound, landing somewhere between alt-country and rock, woven with acoustic textures and dynamic instrumentation.

Addictive, sharp, and self-aware, Sam’s music is emotionally unfiltered, self-deprecating, and unflinchingly human. Whether he’s unpacking existential dread or offering hard-won hope, his songs are made for long drives, post-party spirals, and those fleeting moments when you just need everything to make sense for a few minutes.

His 2024 debut album Shadow Work carved out space on the emo-tinged edges of the country world, where steel guitars, emotional gut-punches, and punk spirit converge. Now, with “Long Way Back,” Sam Varga pushes that sound further—deepening the alt-country edge without losing the vulnerability and urgency that sets his music apart.

29. Connie Diiamond – JAT

Just in time for summer, rising Bronx spitter Connie Diiamond turns up the heat with a new single entitled “JAT” out now via Def Jam Recordings. LISTEN HERE.

The track’s hard-hitting beat pulsates with Jersey club energy punctuated by straight-from-the-street grit. She bodies the production with an uncompromising flow, ripping through fast-paced bars with cocky panache. It culminates in a chant where she quotably teases, “Think it’s fat from the front, wait till you see from the back!” This one’s bound to pop off as a fan favorite anthem. Plus, she included an “Instrumental” and “Slowed Version” of the song. This release follows her recent single “Letter To My Fans.”
 
At the end of 2024, she served up Underdog Szn: BRB, which boasted an A-list cohort of guests such as Remy Ma, Cash Cobain, Joe Budden, Don Q, and more. Moreover, “Shoot” graced the soundtrack for NBA 2K24, and BET selected her as its BET Amplified for March. She also performed at the 2024 BET Awards Red Carpet Live Preshow. Among many accomplishments, Connie has notched major co-signs from the likes of NBA superstar LeBron James, who marveled at her viral Ludacris-sampled freestyle in 2023. The rapper then made waves with the release of her debut LP, Underdog SZN, featuring Dame D.O.L.L.A., Don Q, and more. 

Get ready for a whole lot more from Connie Diiamond in 2025.

30. Kid Cudi – Neverland

GRAMMY® Award-winning multi-platinum sonic visionary, artist, producer, actor and director Kid Cudi returns with the new single “Neverland.” Listen to “Neverland” here.
 
Cudi will premiere his short film, Neverland, directed by Ti West and produced by Monkeypaw Productions, at Tribeca Film Festival in June.
 
The new single is Cudi’s first offering of 2025 following his record breaking 2024 that saw “Day ‘N’ Nite (nightmare)” officially earn its RIAA Diamond Certification, marking his groundbreaking debut Man on the Moon: The End of Day as “the first 2000s hip-hop album to earn multiple RIAA Diamond singles.” Last year also saw Cudi release his ninth studio album, INSANO and its epic Deluxe Version, NITRO MEGA. Hailed by Clash as “a lavish return,” and logging his seventh Top 20 debut on the Billboard 200 with INSANO.
 
Kid Cudi continues to elevate music, fashion, and film and television as an otherworldly sonic outlier without comparison and will continue to do so this year. Stay tuned for more from Kid Cudi.

31. June Freedom – Oh My Lady

Global Afro-fusion artist June Freedom returns with “Oh My Lady,” a lush bilingual anthem that fuses English and Cape Verdean Kriolu to explore the magnetic power of intimacy and emotional presence. Out now via EMPIRE/Flight Club Music Group, the track adds another layer to June’s evolving sound, blending heartfelt storytelling with rich soul-soaked textures.

Produced by Nigerian hitmaker Abolaji Collins Kuye (Rema, Mayorkun, Nana Fofie), “Oh My Lady” is anchored by shimmering guitar lines and a breezy organic groove. It is a sonic journey through Afro-Fusion, Pop, and R&B, warm and atmospheric with an emotionally resonant core. Abolaji’s melodic instincts complement June’s smooth vocal delivery, creating a track that feels both intimate and expansive. 

June shares, “‘Oh My Lady’ is about the thrill of intimacy. Two souls locked in, fully understanding each other on every level: mind, body, and soul.I wanted to capture that rare kind of love that holds you down but still lets you fly. It’s like waking up to peace and falling asleep in passion.”

More than just a love song, “Oh My Lady” is a reflection on emotional presence, honoring the quiet beauty of deep connection through moments like slow mornings, shared silences, and unspoken glances. The table becomes a lasting symbol of chosen closeness, a place for grounding no matter where life may lead. With its cross-cultural flavor, rich instrumentation, and lyrical vulnerability, the song is an invitation to pause, connect, and feel. 

“Oh My Lady” follows the previously released singles “Bonita,” “DOROMA,” and “Options,” continuing a bold sonic streak that highlights June’s creative range. Stay tuned for more from this rising global force.

32. ABIR – The Tip Off

Moroccan-born, US-raised singer ABIR makes a powerful return with her latest 3-track EP The Tip Off, out now via EMPIRE. The project features the previously released fan favorites “Butterflies” and “Made 4 U,” and introduces the stunning new focus track “Something Real.”

Produced by Grammy-winning, multi-platinum producer NES (Bryson Tiller, Drake, Snoh Aalegra, 6LACK, GoldLink), “Something Real” is a stunning Arab-influenced R&B record that finds ABIR at her most honest. On the track, she confronts her fear of intimacy and the desire to let love in. 

ABIR shares, “The Tip Off EP is about the beginning of love. The butterflies, trusting in divine alignment, and the challenge of not folding when real love asks more of you. ‘Something Real’ was a turning point for me. It came from realizing that if I wanted something deep, I had to unlearn the fearful ways I used to protect myself. These songs are about softening, surrendering, and fully diving in, even when uncomfortable. Vulnerability was the only way I could grow.”

With over 500M streams to date, ABIR stands as one of the most exciting voices redefining modern pop and R&B through the lens of her Arab identity. Born in Fez, Morocco, and raised in Virginia, the Los Angeles-based singer first broke through with her gold-certified hit “Finest Hour” and her debut EP Mint. On her follow-up project Heat, she leaned more boldly into her roots, blending the rhythms and textures of Arab music with sleek, genre-bending production. Both lyrically and visually, ABIR’s work challenges stereotypes and expands the narrative of what it means to be an Arab woman in music today. After nearly four years, she returns with The Tip-Off, a powerful new statement from an artist whose voice is as fearless as it is unforgettable.

Stay tuned as ABIR’s next chapter begins. This boundary-breaking voice in global music has much more to offer.

33. Kali Uchis – Sincerely,

Today, GRAMMY®-winning global recording artist Kali Uchis releases her highly anticipated fifth studio album, Sincerely, —  stream HERE via Capitol Records. Her most intimate and vulnerable body of work to date, the 14-track record is a testament to the curative power of deep love, and a powerful representation of the way Uchis romanticizes life and her inner world.

Written and executive produced by Uchis, Sincerely, finds the genre-traversing star feeling more herself than ever. The Colombian-American singer-songwriter’s signature dreamy vocals float across timeless ballads, breezy soul, and breakbeat-backed grooves — all bound together by a hard-won sense of peace and protection that coincided with Uchis welcoming her first child into the world last year. 

In both substance and style, standout track “All I Can Say” distills the album’s mood into three perfect minutes. Over vintage doo-wop that seems to float above life’s daily chaos, Uchis’ voice hits a heavenly register as she sings, “All I can say, is that you belong with me / And a dreamer should dream, how else would dreams turn reality? / And my peace of mind? No, it will not be destroyed / By lost souls on the decline, who only strive to divide.”

Uchis announced her latest era in March with lead Sincerely, single “Sunshine & Rain,” an ethereal song about, in her own words, “embracing a life of enjoyment despite the world or your circumstances.” This was followed up in April with the soothing “ILYSMIH,” which not only brilliantly captures the complex emotions that come with new motherhood, but also includes the sound of her son’s laughter — underscoring just how deeply personal Uchis’ music has become. Sincerely, contains nuance, too, as Uchis revisits pain from the past (“It’s Just Us”), considers her imperfections (“Silk Lingerie”), and issues unsubtle warnings to any who would disrupt the life she’s worked so hard to build (“Territorial”).

34. Jack Van Cleaf – JVC

Today, Jack Van Cleaf released his critically acclaimed sophomore album JVC via Dualtone Records. Planting its flag halfway between the worlds of indie rock and Gen Z folk, the album asks big questions about identity, home, and adulthood. The album is the culmination of a journey that began during his teenage years. “This album is all about the vertigo of growing up, It’s about re-defining and re-understanding yourself.” Listen to JVC  HERE

Accompanying the album, Van Cleaf released a video, directed by Joey Brodnax, for the powerful album cut, “Hikikomori.” A Japanese term describing individuals who isolate themselves from society, often staying in their homes for extended periods, often months or even years. An issue Jack has grappled with personally, he stated, of the song, “‘Hikikomori’ is a Japanese term for a specific kind of severe social isolation, the details of which resonated with me in my depressive slump post-college-graduation.  After writing the song, re-discovering it in my voice memos, and working it out with the band, “Hikikomori” revealed itself to be an accurate, succinct representation of the album as a whole. The desperation of the lyrics alongside the outlaw-inspired production evoked the inner desolation that I was seeking to illustrate with JVC, like the West Texas desert where we recorded it.”

“I’ve long been inspired by Joey Brodnax’s work,” Jack continues. “Sam Lindsey (the creative director for my videos) and I wanted to bring him on to help us create a world within a world: a hallucinatory dimension that envelops a character who never steps outside to see the light of day.  We had a blast going on that journey with him.”

Watch music video HERE 

Jack performed to a sold out crowd at Nashville’s Blue Room last night and his forthcoming tour dates will see him perform in cities including: Chicago, Austin, and more. With support by special guests Ethansroom and Emma Ogier. Tickets are on sale now. For more info, visit https://www.jackvancleaf.com/#tour. 

Jack will also host a GRAMMY museum Spotlight in LA moderated by Mikael Wood of the LA Times on Thursday, May 29, 2025. 

For more information and tickets visit HERE 

Jack Van Cleaf – described by Consequence as “a Nashville-based artist [who] has retained the grit and authenticity that have made him a buzzy name in Music City and beyond” – was still an independent artist when “Rattlesnake” became a viral hit in 2023, earning praise from songwriters like Noah Kahan (who hand-picked Jack as the opening act on his sold-out Stick Season Tour) and Zach Bryan (who began covering the song online). For Jack, it felt like a pivotal moment in a career that had been building since his teenage years.

Years after penning his first song as a high school freshman in San Diego, Jack headed east to Nashville, where he studied songwriting at Belmont University and released his debut album, Fruit from the Trees, after graduation. Jack experienced unprecedented early industry debut album buzz, drawing the attention of the likes of Noah Kahan, opening for him on Jack’s first ever major US tour, as well as touring with artists from Briston Maroney to Madi Diaz. When his single “Rattlesnake” landed him a spot on Spotify’s 2024 Best New Artist List with tastemaker playlist “juniper,” it drew over 13 million streams, and one fan in particular, Zach Bryan, became a major champion of Jack, covering the track on his social media. 

This unexpected success induced an intense period of self-doubt in Jack, “I was shell-shocked,” he remembers. “I’d spent my whole life being told what to do every single day, and I always dreamed about growing up to be my own boss. Then graduation came, and I got what I wanted… but I realized I had no idea how to function on a day-to-day basis.”

He regrouped and retreated to his songwriting, and found solace in creating music in far-flung locations like Joshua Tree and the Texas/Mexico border, where he and producer Alberto Sewald (Katy Kirby, Sierra Hull) created this remarkable body of work. Those geographic choices were deliberate, their landscapes evoking the spiritual barrenness of Jack’s lyrics. “I felt like I was staring into an emotional desert when I wrote these songs, experiencing this feeling of desolation around me and looking for little signs of life,” he explains. 

Alongside all-star collaborations with established stars like Zach Bryan and Gatlin — who features on seize-the-day anthem “Teenage Vampire” — the album also features his closest friends, Austin Burns, Ethan Fortenberry, Hunt Pennington, Adam Carpenter, Nathan Cimino, and Aaron Krak – plus Annika Bennett and Heaven Schmitt (aka Grumpy) who contribute background vocals – whom he met during his time at Belmont University and remain part of his closest creative circle. 

Previously, Jack’s confessional and cathartic folk songs have garnered comparison to sparse verses of Nathaniel Rateliff and Gregory Alan Isakov and the directness of Kris Kristofferson and Leonard Cohen. On JVC, Jack takes another approach, focusing on blurring the dividing lines between acoustic singer-songwriter and electrified indie music. The result is an expansive sound, sparse one minute and grungy the next, dreamt up by an artist who’s never been afraid to write songs that shine a light on his own challenges. 

A sharply-written record that measures the long, winding road from past to present, deftly capturing the vertigo of early adulthood, drawing on his own struggles with his post-college success and disorientation that followed.  Songs like “Green”, a climate-conscious song whose indie rock pop hooks heighten the song’s activist bite, and moody acoustic rocker “Shouldn’t Have Gone to L.A.” find Jack in transit, caught between locations without a clear anchor. His songs draw on deeply personal experiences including a constant evolving approach to religion and the emotional gravity of young adulthood to its full.

Jack recently released a new version of single “Rattlesnake,” a reimagination of his own viral hit featuring a new duet with friend and fan Zach Bryan. It also featured every musician who had appeared on the song’s first recording, a group composed of Jack’s best friends from college. Setting up shop at Electric Lady Studios, they recorded the heart of the new production live, leaning into instinct and inspiration as Zach and Jack traded off lines in the spur of the moment while co-producer Eddie Spear captured their camaraderie. Listen to single HERE. Watch music video directed by Ivey Redding HERE

On the track, Jack stated, “Zach started sharing the song on social media, then eventually sent me a DM that said, ‘If you ever want to record a version of this with me, I’m in!'” Jack remembers, adding “Zach really inspired me in the studio. I was moved by his dedication to the moment and capturing something alive, rather than painstakingly pursuing perfection with endless takes.”

Zach Bryan stated on Instagram, “To become the best of friends with people through music in the city. Think that may be the point of all this. Jack & me re-recorded one of the best written songs of all time (jack is a genius) and hope u guys listen to it.”

With JVC, Jack Van Cleaf turns personal experience into something universal: a soundtrack to the years we all spend in existential free-fall, and while he finds gravity in the chaos, he has also made an album set to establish him as one of the biggest breakout singer-songwriters of his generation.

35. Keke Palmer – My Confession

“MY CONFESSION,” is the second single from KEKE PALMER’s forthcoming album, “JUST KEKE.” The album will be released on Friday, June 20th, 2025. “My Confession, I mean…yea. I don’t like to say much, but music for me is a way to express myself and the things I need to get out, but don’t always want to say, but will sing.” Originally written and produced by Bryan-Michael Cox, Jermaine Dupri and Usher Raymond. The new interpretation of the classic is written by Tayla Parx, Kameron Glasper and Keke Palmer and produced by Jeia, Albin Tengblad and Tayla Parx.

“Just Keke” is the mark of a new era for me. An evolution of everything I had to be and become to survive and grow as a person and artist. It’s all about fragmentation and the path to integration. I created it with my best friend of 22 years, Tayla Parx—someone who knows me inside and out. This project is a raw, emotional journey of me facing myself, my love, my vulnerability, my relationships, and my truth. My hope is that it takes you to a place of remembrance,” shares Keke.

36. Little Feat – Strike Up The Band

Today, Little Feat – criminally underrated pioneering rock band – released their 17th studio album, Strike Up The Band, out now, via Hot Tomato. LISTEN HERE

Accompany release was a video for very much non-bluegrass song “Bluegrass Pines,” which features Molly Tuttle on guitar and Larry Campbell & Teresa Williams on backing vocals and was co-written with Grateful Dead’s lyricist, Robert Hunter and Relix Magazine stated “establishes a big band sound, with the quick trill of instruments and a mood of Romani folk that begs for a skirt-twirling embrace far from the title’s suggested bluegrass lean.”

This song, which was from a batch band co-founder and keyboardist, Bill Payne co-wrote with Hunter, like the best Little Feat songs, combines complicated music ideas and takes people on a sonic journey with many twists and turns.

“When Robert Hunter and I began writing, he usually sent me the lyrics first,” recalls Payne. “After several times of doing it this way, he suggested I send him the music first. I had a short instrumental entitled “Banjo Wanderings.” I was amazed at how this small clip inspired the expansive and wonderful lyrics he called “Bluegrass Pines.” The music I gave him essentially covered only the chorus. Everything else was the result of his imagination and my mining of the melody and chords from the scenery he painted. He asked at one point through e-mail—the only way we ever communicated—if I knew who Lash LaRue was, and I told him yes, he used a whip to go after the desperados rather than use a gun.”

Payne continues, “I love this song and its influence on those who performed it. I love the intelligence and spirit that Molly Tuttle, with grace and beauty, created, through her legato acoustic guitar lines with Scott’s soaring slide, a dance of kinetic magic. Larry Campbell and Teresa William’s vocals, powerful, and at times angelic, provided the perfect tapestry for me to sing against. I thank Robert Hunter for his gift.”   

Little Feat tour the US with shows including Montclair, NJ this evening and culminating in a three-day festival in Woodstock, New York for August 30 through September 1 with plans to record performances for a new live album. Tickets go on sale via littlefeat.net.

At this point in its illustrious, nearly 60-year career, rock legends Little Feat could be excused if they wanted to take its proverbial foot off the gas. However, that wouldn’t be in Little Feat’s DNA. From the very first note of Strike Up The Band, you will hear Little Feat–who have been rocking and rolling since 1969– mean business. 

Little Feat built a cult following in the late 60s and 70s for their pioneering gumbo of New Orleans rhythm-and-blues, country, hard-rock, funk, and jazz. Celebrated as a key influence by icons from Bonnie Raitt to The Rolling Stones (and more recently current stars like 1975’s Matt Healy), yet, commercial success remained at arms length. Songs like “Dixie Chicken,” “Spanish Moon,” “Fat Man in the Bathtub,” and “Rock and Roll Doctor” are legends in the rock and roll songbook. They have released a total of 16 studio albums and 10 live albums to date. Through the ups and downs, love and loss, the lineup shifts, and endless touring they have remained together and the closest of friends. 

Their wilderness years, when the band was on periods of hiatus, individual members collaborated with a laundry list of legends including Bob Dylan, Boz Scaggs, J. J. Cale, Buddy Guy, Jimmy Buffett, Doobie Brothers, Emmylou Harris, Bryan Adams, Pink Floyd, Bob Seger, Toto, Linda Ronstadt, Jackson Browne, Carly Simon, James Taylor, Stevie Nicks, Robert Palmer, Bob Weir, Mick Fleetwood, Phil Lesh – you name a musician from the classic rock era, they have likely played with them! 

Their elastic lineup has included the late great Lowell George, founding drummer, Richie Hayward,  and guitarist Paul Barrere, and to this day features founding member Bill Payne on keys, alongside the classic lineup of Fred Tackett on guitars/vocals, Kenny Gradney on bass, and Sam Clayton on percussion/vocals. They recently enlisted younger members Scott Sharrard on lead/vocal and Tony Leone on drums/vox which reinvigorated their creative spirits and live show. 

The seeds for Strike Up the Band may have been initially planted in 2019, but the current iteration of the band coalesced it in 2021. Following a year of zapping files back and forth due to the pandemic, that November was when the band first started jamming with guitarist/vocalist Scott Sharrard, who joined in 2019, and drummer Tony Leone, who joined in 2020. 

“Once again, we’re introducing something that we’re going to call Little Feat to people who would be accepting and some who would not,” Payne says. “The ramp to believing in ourselves was in the songs we wrote. And the minute we had this new band, we wanted to be realistic and that was to make a record.”

To solidify the writing, Payne left his home in the West and headed to New York. In just four days, he wrote three songs with Sharrard and Leone. That window spawned one of the album’s finest tracks, “4 Days of Heaven, 3 Days of Work.” 

“Bill brought this title to Tony and I, and I knew immediately that we were going to cook something up that would be special,” Sharrard says. “The lyrics and music embrace what I call ‘Gonzo Funk,’ Little Feat’s unique brand where you combine a slinky groove with some far-out lyrical imagery.” 

Together with producer Vance Powell (Phish, Chris Stapleton, Jack White), and collaborators including Blackberry Smoke’s Charlie Starr and Grateful Dead lyricist Robert Hunter, they created their new album in Nashville, and Strike Up The Band is destined to be considered their later year magnum opus. Songs like funk-fueled “Too High To Cut My Hair,” which tastemaker PASTE MAGAZINE described as sounding, “as good as ever, cutting a funk track with the fire of a wicked blues tempo,” as well as “Shipwrecks,” are as dexterous, considered, and creative as any song Little Feat has created to date. 

Their lyrics are inventive, transportive, abstract, and emotive in their pursuit of celebrating the good times and holding you close in the bad. Guitars scream and slide, pianos rock and boogie, and drums shuffle you down the road in a way that only Little Feat can. This is the album Little Feat fans have been waiting for and is an undeniable statement from a band who in many ways are just getting started in their 56th year. 

With buzz off the back of their GRAMMY nomination for their recent album Sam’s Place, their own festival, a newly announced national tour, and much more in the works, Little Feat are not weathered statues in the hall of rock fame. They remain the collective and creative force they have always been. The beauty of Little Feat perhaps lies in the band’s ability to continuously evolve yet keep the spirit of what we all know and love about them, constant and alive. At this stage in a band’s career, few, if any would be willing to evolve at the level Little Feat does. That in itself, is quite the feat.  

37. Isaiah Stone – Soul Exchange

Rising multi-instrumentalist, producer, and songwriter Isaiah Stone returns with “Soul Exchange” – a gripping new single that merges funk-laced grooves, and raw emotion. Released via Infinity & Records, the track finds Stone channeling the push and pull between heart and mind.

“‘Soul Exchange’ is a song I wrote about being consumed, and the internal conflict of mind and heart,” Stone shares. “Written in my room late at night, the song came to me within seconds, almost writing itself. I hope listeners can find whatever personal truth resonates.”

“Soul Exchange” follows a string of standout introductory singles: “No One Cares,” “Leavin!” and “Get Down”. The songs introduced listeners to Stone’s world: emotionally resonant, genre-fluid, and steeped in intention. 

Raised in a cult where secular music was forbidden, Stone found early creative refuge in church where he learned drums at two and eventually taught himself guitar, piano, and production. After escaping that world at age 12, music became his compass. He sought solace in albums by Prince, Sly and the Family Stone, and later, Frank Ocean and Kendrick Lamar. Now 23 and based in Atlanta, Stone’s sound fuses rock, funk, and soul with self-reflective lyricism highlighted by his signature raspy, magnetic vocal style.

With a DIY spirit and a growing catalog, Isaiah Stone is crafting a sound that honors rock’s Black roots while pushing forward a message of radical authenticity. As his star continues to rise, “Soul Exchange” offers yet another glimpse into the depth of his artistry and sets the stage for an incredible show to come.

38. Callum Kerr – All Out of Me

Following the release of “Cold Beer Cold,” Scottish born, Texas raised and Nashville livin’ Callum Kerr returns with a brand-new single, “All Out of Me”. With a growing fanbase and momentum building, Callum continues to carve out his place in the music scene. Recently he signed with ONErpm and Huff Co. and new music is slated for release in the coming months, with announcements to follow soon.

“This song is about a rambling man who meets his match and falls in love” states Callum about the track that was co-written by Dustin Lynch and produced by Dann and David Huff. “He can’t help but blush about how much he’s changed. Sure, he misses the good old days, but nothing competes with what he’s found. It’s a classic acoustic sounding love song with plenty of rugged imagery.”

Also, Callum is scheduled to perform at Nashville’s famed Whiskey Jam, Thursday, May 15^th at 9pm, a part of the ONErpm Takeover show.

In addition to his music career, Callum is also an actor appearing in 13 different movies and TV series including Monarch on Fox, Wheel of Time on Amazon and Virgin River and One Piece, both on Netflix.

39. Fetty Wap – Forever (71943509)

2x GRAMMY® Award-nominated, Diamond certified rap icon Fetty Wap is back at the top of his game with “Forever (71943509)” available HERE via RGF Productions / 300 Entertainment. Produced By FrankGotThePack, Dvni, and APGoKrazy, the introspective new track marks the Paterson, NJ-based star’s first official solo track in more than two years. Watch the official video for “Forever (71943509)” HERE.

The title of “Forever (71943509)” includes Fetty Wap’s inmate number at FCI, Sandstone, MN, where he is currently serving a six-year federal sentence on a single charge. The family of Fetty Wap recently launched a Change.org petition in hopes of securing a pardon for the rap giant. To sign the petition, please visit change.org.

“Forever (71943509)” arrives as Fetty Wap once again finds himself topping the charts with the explosive viral resurgence of his classic 3x Platinum 2015 hit, “Again,” which recently ascended to #1 on the TikTok Billboard Top 50 thanks in part to the hugely popular new meme, “Blasting Fetty Wap on the JBL Speaker.” The trend further catapulted “Again” to the upper half of Billboard’s “Hot 100” for the first time in nearly a decade while also driving 2015’s 2x Platinum debut album, Fetty Wap, back onto the overall Billboard 200 album chart.

With an instantly recognizable voice and undeniable charisma, Fetty Wap has delivered some of the biggest hip-hop bangers of the 21st century, amassing billions of streams and video views around the globe. Fetty made a spectacular arrival atop the Billboard 200 with his self-titled 2015 debut album, highlighted by a string of massive hits including such generational anthems as the RIAA 3x Platinum certified “Again” and “My Way (Feat. Monty), the 6x Platinum ”679 (Feat. Remy Boyz),” and of course the Diamond certified smash ”Trap Queen,” all of which established the NJ-based rapper as the first act in the 26-year history of Billboard’s “Hot Rap Songs” chart to land his first four entries in the top 10 simultaneously. The worldwide success of “Trap Queen” rocketed Fetty to stardom, earning him 2016 GRAMMY® Award nominations for both “Best Rap Song” and ”Best Rap Performance” as well as the MTV Video Music Award for “Artist To Watch,” the iHeartRadio Music Award for ”Best New Artist,” and the Billboard Music Award for “Top New Artist.” Fetty quickly proved an in-demand collaborator, boasting partnerships with a diverse array of fellow artists spanning Snoop Dogg, Nicki Minaj, David Guetta, Sia, Rich Homie Quan, DJ Khaled, Lil Dicky, Fall Out Boy, Ty Dolla $ign, and Fifth Harmony, to name only a few. He expanded his ongoing legacy with 2016’s Platinum certified “Wake Up,” along with a number of popular mixtapes and the acclaimed full-length projects, 2021’s The Butterfly Effect and 2023’s King Zoo. Along with his many accolades and chart successes, Fetty has made countless high-profile TV performances, including memorable appearances on NBC’s The Tonight Show Starring Jimmy Fallon, ABC’s Jimmy Kimmel Live!, the BET Awards, and more.

40. Aidan Bissett – 2 Much 2 Handle

Today, breakout indie-pop artist Aidan Bissett releases rollicking new single “2 much 2 handle,” a dedication to the thrill of burgeoning infatuation — stream HERE via Capitol Records and watch the visualizer HERE. The genre-blurring track is the latest taste of the rising singer-songwriter’s debut album shut up and love me, announced yesterday via social media, out July 25^th. Pre-order HERE. 

Exploring the almost physically painful anticipation that accompanies a new connection, Bissett experiments with tempo and tone on “2 much 2 handle.” “On the table I was kissing your mouth, was it too much to handle?” he asks over jaunty piano and driving drums. “Told your daddy that I slept on the couch, but he’s smart enough to figure it out.”

“This one feels like a stop-and-go rollercoaster,” says Bissett. “It captures the feeling of hitting your highest peaks and your lowest lows. It’s about anticipation — you’re going up and up, but the fall never happens.” That sense of suspended reality is reflected in the visualizer, which finds Bissett walking on a conveyor belt while people pass him by.

Bissett has revealed two additional shut up and love me singles to date: “ricochet,” a subtly infectious song about toxic relationships; and the bursting, new wave-inflected “are we in love yet?”

In addition to today’s announcements, Aidan has revealed his upcoming headlining tour across North America in support of shut up and love me kicking off on September 14^th in San Diego, CA and closing on October 22^nd in Los Angeles at The Fonda Theatre. The run of dates also include a stop in New York playing Irving Plaza. General ticket on-sale begins May 16^th at 10AM local time. Full list of dates below.

41. UMI ft. 6LACK – Hard Truths

Coming off a landmark year, breakout R&B singer-songwriter UMI has released a brand new single “HARD TRUTHS” featuring 4x Grammy-nominated rapper 6LACK, via Epic Records—to which UMI recently signed. “Two words come to mind when I think of UMI: Peaceful and Electrifying,” says Ezekiel Lewis, President of Epic Records. “The energy that will greet you upon an encounter with UMI is somehow perfectly encapsulated in the music she has recorded for this project. Everyone wants peace, yet everyone wants excitement. So, we believe that everyone who finds UMI, will want UMI. Epic is more than happy to support her vision.”

On the new single, UMI’s breezily enchanting vocals are juxtaposed with 6LACK’s gritty delivery, coming together for a dynamic duet that examines the complexities of self-awareness, the emptiness of materialism and the importance of genuine connection. The new track comes replete with a music video directed by Sahra Zadat.

“‘HARD TRUTHS’ delves into the complexities of self-awareness, the emptiness of materialism, and the importance of genuine connection,” UMI reflects. “Alongside 6LACK, who is featured on the record – the lyrics explore the contrast between external appearances and internal realities. Emphasizing the need to confront uncomfortable truths about oneself and relationships.”

The release of “HARD TRUTHS” follows an impressive 2024 for UMI; in which signed to Epic Records, opened for Jhené Aiko on “The Magic Hour Tour,” expanded her U+MI meditation experiences across the U.S. and released her critically-acclaimed EP talking to the wind. Of the project, Pitchfork said “UMI balances both bravado and vulnerability,” while Vulture praised its “lush beats, intimate vocals, and lyrical references to nature.”

“HARD TRUTHS” also arrives on the heels of standalone singles from UMI, including “Do What You Do” with BAEKHYUN of K-pop group Exo, “Lose My Focus” with Raveena, “Butterfly II” and “wherever u r” featuring V of BTS. Upon its initial release, “wherever u r” debuted at #1 on Billboard’s R&B Digital Songs Sales chart. It also reached #1 on the iTunes’ chart across 100+ countries for five consecutive days and made a strong breakthrough across Billboard’s Global 200, Hot R&B Songs, Digital Song Sales, R&B / Hip-Hop Digital Song Sales and Canadian Digital Song Sales. The New York Times praised the song’s sonic “serenity” and Billboard called it a “heart-melting anthem.”

42. Chelsea Cutler – if i could just stop the time, (may 2024-may 2025)

Today, Platinum-Certified singer, songwriter, multi-instrumentalist, producer, and engineer Chelsea Cutler surprises fans with a brand new mixtape, titled if i could just stop the time, (may 2024-may 2025), out now via Mercury Records—listen HERE. Providing a cathartic release, the five-track mixtape provides a raw look at an emotional and vulnerable moment in the critically acclaimed artist’s life, while also signaling the beginning of a new chapter.
 
Cutler shared: “this is not an album, it is not the album. it’s just a handful of the many songs i made while processing and healing from the loss of a great love, coming to terms with the ruthless passage of time, accepting that things change and people change, both for worse and for better. i didn’t want the album to be about this, because it wouldn’t be a reflection of the person i’m coming into now. but i also didn’t want to skip steps or leave out a large part of my story, especially when we’ve all been always so honest with each other. i don’t know if these particular songs are even really finished, i don’t know if they’re even really any good, and that’s all right. i just don’t want to keep living inside them, i am ready to let them go, and i still want the world to have them in some capacity. so this for now, and the album later. talk soon.”
 
Stay tuned for more to come from Chelsea Cutler this year.

43. Babsy & Davis – Young Again

LA’s breakthrough electronic artist Babsy. is thrilled to unveil his latest single with Davis, “Young Again,” a powerful emotional house cut out now via bitbird. 

Babsy. shares that “‘Young Again’ captures the electric rush of a new connection — that early-stage kind of love where every glance, every late-night conversation, and every small moment feels cinematic. It’s about the kind of bond that pulls you out of routine and makes life feel carefree again, like the best parts of being a kid — full of curiosity, wonder, and zero fear.”

Featuring a creatively processed vocal that pulls at the heartstrings and a driving four-on-the-floor drop. Anchored by a heartfelt hook, “tell me I’m not old, with you I feel young again,” the track channels longing, love, and nostalgia into a cutting-edge dance anthem. 

“Young Again” follows a breakout year for Babsy., who recently provided direct support for San Holo at Avalon and was just announced for Insomniac’s Lost In Dreams Festival, marking his first-ever Insomniac festival slot. 

Babsy.’s music has already captured widespread acclaim, from remixing Louis The Child & Madeon to enjoying features on Apple Music’s Electronic Pop and Breaking Dance along with Sirius XM’s Chill and BPM channels. He even enjoyed a viral moment in 2023 when his TikTok hit “Everywhere” amassed over 2 million views. The track soared through editorial playlists and landed him on Spotify’s Viral 50 charts.

With “Young Again,” Babsy. invites listeners into a moment of reflection and release—blending catharsis and energy in equal measure.

44. Amelia Moore – he’s still just not that into you!

Following widespread acclaim from tastemakers and fans alike, buzzing alternative pop disruptor Amelia Moore uncovers her anxiously awaited new EP, he’s still just not that into you!, out now. Listen HERE.
 
The project kicks into high gear with the single “spelling bee” featuring Teezo Touchdown. Beeping synth transmissions underline her lusty verses laced with double entendre as she breathlessly wonders, “How do I say what’s on my brain?” She cleverly spells out her intentions for “t-h-e b-e-d” during the chorus only for Teezo Touchdown to join in on the fun with his own flirty and “f-u-n” lyrical response.
 
About the song, Amelia says, “‘spelling bee’ is a cheeky way to tell someone you’re obsessed with what you want them do to you. I hope people dance to it as much as we did while we were making it!”
 
She preceded the EP with “fuck, marry, kill” in March, marking her first release with Republic Records. Elsewhere, she takes back the classic melody of Cyndi Lauper’s 1983 staple “Girls Just Want To Have Fun” and gives it a Gen Z makeover on “that’s all they really want.” Slowing the tempo, Amelia’s voice barely cracks a whisper, cutting through soft piano. She laments, “But don’t get your hopes up, ‘cause boys just wanna have fun.” Emotion overflows on the closer “emily.” A cassette tape flips and buckles, and glitchy guitar echoes above the feedback. In a moment of naked vulnerability, she exhales, “We really don’t call each other anymore, and it’s crazy ‘cause you used to call me yours.”
 
Check out the full tracklisting below.
 
She adds, “I’ve experienced so much beauty and so much chaos while navigating my love life since I moved away from home. I was an innocent-sheltered-religious-homeschooled girl in Gwinnett County, Georgia who led worship for my student group…but deep down I secretly wished for the experiences that inspired these songs.”
 
In support of he’s still just not that into you!, she brings her electrifying live show to both coasts this May. Catch her EP release shows at The Echo in Los Angeles on May 27th and Baby’s All Right in New York on May 29th – a must-see for fans eager to experience her raw energy and captivating sound in an intimate setting. Get tickets HERE.
 
Amelia will also take the stage at Outside Lands festival in San Francisco this August, giving fans another chance to see her live under the summer sky.
 
She capped off a breakout 2024 with a high-powered all-female remix of her banger “see through” featuring Coco Jones, Absolutely, and Samara Cyn. Right out of the gate, ELLE named the track as one of the best they heard in December, going on to applaud how, “On this remix to the viral track, she enlists Coco Jones with her buttery alto, pop up-and-comer Absolutely, and Samara Cyn to top it off with laid-back rhymes.”

45. Kevin Olusola – DAWN OF A MISFIT

Today, Kevin Olusola, the dynamic singer, cellist, and beatboxer best known for his work with the 3x-GRAMMY® Award-winning a cappella group Pentatonix, releases his debut solo album, DAWN OF A MISFIT, via Sony Music Masterworks, available everywhere now – LISTEN HERE.

To mark the album’s release, Olusola has also unveiled the music video for standout track “Hallelujah (I Don’t Think About You).” The song masterfully showcases Olusola’s blend of classical, pop, and hip-hop genres. It starts a bit unassuming: wrapped around a sample of George Frideric Handel’s “Messiah” oratorio, beginning with a worship-worthy melody before exploding into a percussion-heavy beat as Olusola unleashes a massive kiss-off to those who have done him wrong. “You used to be my sweetest song / Turns out the autotune was on,” he sings with a wink.

“’Hallelujah (I Don’t Think About You)’ is my absolute favorite song on this project,” shares Olusola. “I remember driving home from the songwriting session, blasting the demo I produced in the car, and thinking, ‘This is exactly the sound I’ve been chasing all my life!’ This song sums me up artistically and personally – it’s about embracing your true self and letting go of the past (toxic people, habits, etc.). I hope you feel the energy and joy that pours into this song, helping you step into the freedom you’ve been dreaming of.”

The multi-faceted artist first previewed his new LP with the electrifying lead single “DARK WINTER,” blending Vivaldi’s Four Seasons and symphonic strings with Olusola’s potent beatbox percussion, 808s & elastic R&B hooks. He followed with the spoken word and deeply personal “I Feel Misunderstood” and “Crazy,” an instrumental reimagining of Gnarls Barkley’s 2006 mega-hit that showcases Olusola’s powerful talents as a cellist. Most recently, Olusola released “Smile,” an uplifting number that showcases the purity of Olusola’s vocals and his signature beatboxing, along with the soothing sample of Bach’s “Cello Suites.”

DAWN OF A MISFIT follows two EPs: The Renegade, which explored classical music and celloboxing, and Don’t Let Me Be Misunderstood, which delved more into pop influences. This new LP seamlessly blends elements from both projects while continuing to expand his already-vast musical canvas. DAWN OF A MISFIT draws on his classical virtuosity and the graceful soulfulness of his vocals, partly fueled by his Nigerian and Grenadian heritage. While recording the new album, he was influenced by a diverse range of artists, including Sting, multi-hyphenate artist Jon Batiste, Nigerian musician Fela Kuti, American singer and actor Harry Belafonte, country-rap artist Shaboozey, cellist Jacqueline du Pré, pianist Harvey Lavan “Van” Cliburn Jr., and Russian composer Sergei Rachmaninoff.

The wide-ranging album touches on spirituality, fatherhood, and being a first-generation person in a Western country, all while fusing classical, pop, R&B, and hip-hop. It even includes a nod to Pentatonix with “Kevin’s Fifth,” a fan-favorite expansion on Beethoven’s 5th that he often performs during their live shows. The beloved quintet—who broke out after winning NBC’s The Sing-Off in 2011—have released 12 albums in total, including 2022’s Grammy-nominated Holidays Around the World. More recently, they starred in the #1 Netflix rom-com Meet Me Next Christmas.

46. The Weeknd ft. Playboi Carti & Doechii – Timeless (Remix)

Global superstar The Weeknd has tapped Grammy-award winning Doechii for an additional feature on the official remix of “Timeless” featuring Playboi Carti out now via XO / Republic Records. The hit single from The Weeknd’s latest album, Hurry Up Tomorrow, first debuted in the Top 3 on Billboard’s Hot 100 after being teased during his one night only special stadium concert at Estádio Morumbi in São Paulo last year.
 
“Hurry Up Tomorrow” is the #1 biggest album debut of 2025 in the U.S., with over 3 billion global streams to date.

The global Top 10 hit “Timeless” recently became his highest-debuting single ever on the Billboard Hot 100.
 
Additionally, The Weeknd will be releasing his new film, HURRY UP TOMORROW, on May 16th. The film, released by Lionsgate, is directed by Trey Edward Shultz and stars Abel Tesfaye, Jenna Ortega and Barry Keoghan, with original music by The Weeknd and Daniel Lopatin. Watch the HURRY UP TOMORROW  film trailer here: https://www.youtube.com/watch?v=gqZ5zQU0Cs0 
 

47. GoGo Penguin – What We Are And What We Are Meant To Be

Today, GoGo Penguin, the Manchester trio known for their blend of jazz, classical and electronic influences since forming in 2012, released their second single “What We Are And What We Are Meant To Be”  from their forthcoming seventh studio album NECESSARY FICTIONS due out June 20 via XXIM/SONY.  It’s a bold new chapter in the band’s evolution and represents a deep dive into identity, authenticity, and transformation. Pre-order & listen to “What We Are And What We Are Meant To Be” HERE. 

“What We Are And What We Are Meant To Be” is the spiritual thesis of the new album, the result of an inner journey of self-discovery and shedding anxieties about identity.  Bassist Nick Blacka had been reading The Middle Passage by James Hollis, which presents “very Jungian stuff about the shadow self, and hidden personae. You begin to think, ‘Hang on, there’s an authentic me, deep down in there somewhere!’ 

Musically, the band went on a similar journey, the same process of “ditching some of the things we’d got used to doing which were holding us back. We’d be writing tracks in the past where we’d be hesitant, like, ‘But what are people going to think? Aren’t we supposed to be this jazz trio who are not really jazz? Who play electronic-type music on acoustic instruments and it’s all very fast and frenetic?’” 

“What We Are And What We Are Meant To Be” features synth lines and electronic elements – the drums are forward and Nick is wielding the Moog Grandmother synth in addition to his bass.   “It’s really simple, really melodic,” Nick explains. “It’s not showboating, like ‘Hey, look at all the chops we’ve got, and how great we are!’ There’s not even any improvisation in it. Bass-wise, it’s just got a bass synth like a dance track. There’s still a part of me that’s like, ‘What are people going to think?’ Then there’s another part that just thinks, ‘Fuck it, they can think what they want! This is what we want to make right now, and it feels authentic.’”  

“That’s where the title comes from, the idea of us shaking off the imagined outer perceptions and expectations people might have of us and fully embracing who we are and what we want to say.” 

GoGo Penguin’s last album Everything Is Going to Be OK (2023) found the band reeling from almost breaking up, a new drummer in the form of Jon Scott (formerly of Mulatu Atsake’s band), coping with the death of family members, grief, the pandemic, and finding solace in the studio as they journeyed through uncertainty, survival and ultimately, resilience. 

With NECESSARY FICTIONS, GoGo Penguin — Chris Illingworth (piano, synths), Nick Blacka (bass, synths), and Jon Scott (drums) — have embraced new textures and ideas more fully than ever before. They are operating from a place of confidence, having truly found their groove with Scott, and Illingworth and Blacka both in their fifth decade, and truly embracing who they are without fear. The album sees them expanding their signature sound, drawing deeper into modular synths, and, for the first time, welcoming other voices into their sonic world.

“This is what we want to make right now, and it feels authentic,” says Blacka. NECESSARY FICTIONS is the sound of a band unafraid to reflect who they are — not just in sound, but in spirit and surroundings.

48. Sophie Ellis-Bextor – Taste

Sophie Ellis-Bextor has announced her much-anticipated 8^th studio album Perimenopop, which will be released on September 12th. Alongside the album announcement, she has shared her new single and MNEK collaboration “Taste” out now—listen HERE—and announced a brand-new show at London’s KOKO on September 8th. 
 
New album Perimenopop is a positive record that is a playful celebration of where Sophie is at in her life, knowing exactly who she is and embracing the joy and empowerment that brings. Featuring previously released tracks “Freedom of the Night,” “Relentless Love,” and “Vertigo,” it is the record Sophie was meant to make 7 studio albums into her 25-year career, seeing her confidently return to her iconic dance-pop sound. Sophie collaborated with MNEK and Jon Shave [Charli XCX, Sugababes] on new single “Taste,” which is an immediate and fun pop song that builds to an alluring and joyous chorus.
 
Sophie says, “‘With ‘Taste,’ I collaborated with MNEK and Jon Shave to write a playful, flirtatious pop song about chemistry. What can really make you want to be around someone is when their taste, what they like in life, is something you become addicted to. You want to experience all delights with them and share it with them as everything they introduce you to feels just right. All your senses feel alive and awake—like the full flavour of life is realised. Chef’s kiss.”
 
Alongside the album announcement, Sophie has also shared a brand-new show with an album launch gig at London’s KOKO ahead of release on September 8th. Tickets are available for pre-sale with pre-orders of the album on May 14th and go on general sale on May 16th.
 
The glittering anthem “Freedom of the Night” signalled a new era for Sophie with a confident return to her iconic and esteemed disco-pop sound, embracing her musical roots across pop, disco, and dance. The Radio 2 A-listed single saw Sophie back together with longstanding collaborator Sophie Muller on the video, which celebrated the renowned “Murder on the Dancefloor” video. Sophie ended 2024 with a performance of the track as part of her BBC New Year’s Eve Disco show.
 
With an impressive musical career that spans over an amazing 25 years, Sophie has achieved five Top 10 albums and eight Top 10 singles. With hits including “Murder on the Dancefloor,” “Take Me Home,” “Get Over You,” “Heartbreak (Make Me a Dancer),” and many more. Most recently, after featuring in the epic final scene of Emerald Fennell’s film Saltburn, Sophie’s beloved 2001 hit “Murder on the Dancefloor” saw a huge resurgence, garnering a Platinum Certification in the US and 2x BRIT Platinum in the U.K., climbing to #2 on the Official U.K. Singles Chart, #51 on the Billboard Hot 100, #10 on Billboard Global 200 Chart, Top 5 on Billboard Hot Dance/Electronic Songs Chart, and #1 on the Spotify Viral 100 Chart, and amassing over 13 billion global streams across all streaming and social platforms. It was the 16^th biggest song of 2024 and the biggest song of 2024 for a British female artist. Not to mention, she performed the track in New York’s Times Square on Dick Clark’s New Year’s Rockin’ Eve.
 
Sophie has recently toured sold-out headline shows across Europe and the U.S., supported Take That, Nile Rodgers and The Human League, and appeared at festivals across the world, including performing with Peggy Gou during her set at Glastonbury, following her own set on the legendary Pyramid Stage in 2023. She will embark on her biggest ever UK headline tour in May and June, taking in 16 cities in total, including a sold-out headline show at London’s Royal Albert Hall. She will return to London for a newly announced album launch show at KOKO in September before heading out on a headline European tour in September and October. 

49. Jenevieve – Haiku

Rising genre-defying artist Jenevieve returns today with her mesmerizing new single and visual, “Haiku,” available now on all streaming platforms. Marking her first release in over two years, “Haiku” reintroduces Jenevieve’s signature dreamy sound while offering a deeper, more introspective side.

“Haiku” captures the tender feeling of writing a poem about someone you like — a delicate balance of vulnerability and breezy cool that has become her trademark. Made with longtime collaborator Elijah Gabor, the single sets the tone for an exciting new era, with more music to follow soon. 

Jenevieve first captivated audiences in 2020 with her breakout single “Baby Powder,” which has since surpassed 175 million global streams. Her critically acclaimed debut project DIVISION (2021) and follow-up EP RENDEZVOUS (2022) solidified her as one of the most exciting new voices of her generation. Praised by outlets like Pitchfork and Billboard, Jenevieve’s sound has been hailed as “the perfect blend of new-age soul and timeless R&B” and “a force to be reckoned with—both musically and visually.”

With a style that’s equal parts soulful, experimental, and unmistakably her own, Jenevieve has earned a loyal fanbase with standout moments like a sold out China headline tour and a direct support slot on Giveon’s North American “Give or Take” tour. Now, with “Haiku,” she begins a new chapter — one rooted in authenticity, growth, and a deeper connection to her craft.

50. Tiana Major9 – money

The inimitable Tiana Major9 triumphantly returns today with the release of their bold yet beautifully tender new single, ‘money’. Download / Stream here.

Bathed in warmth, the track weaves Tiana’s honeyed vocals through a delicate tapestry of stripped-back, jazzy guitar licks and luxurious, spring-kissed production. It is a soundscape that feels both intimate and expansive, a breath of fresh air layered with emotional depth.

 Lyrically, ‘money’ is a heartfelt meditation, tracing Tiana’s personal evolution with finances. From childhood memories of scouring the house for spare change to navigating the complexities of newfound success and the solitude of financial self-sufficiency, the song balances vulnerability with poise as they personify financial literacy as a volatile, toxic relationship they’re constantly trying to get a grasp on. It offers both a candid glimpse into their inner world and a broader reflection on the shifting emotional landscape that comes with money, fame, and independence.

 East-London’s Tiana Major9 roots their bold blend of future-facing R&B, enduring soul, and hip-hop attitude in boundless jazz. With their name inspired by a chord, Tiana Major9 is an artist renowned for their musicality, deeply inspired by the jazz that soundtracked their childhood and with a voice honed through praise and worship. Tiana’s debut releases established their soulful voice as one of the UK’s most enticing, drawing features with the likes of Stormzy, EARTHGANG, Bryson Tiller, and Unknown T, a GRAMMY nomination for single ‘Collide’ from the soundtrack of Queen & Slim and support slots with Victoria Monet, Jazmine Sullivan and Adele. The Chance The Rapper, Robert Glasper and Amaarae-co-signed artist has been acclaimed by British Vogue, ELLE, Vice, Billboard and Complex and streamed over 200 million times to date.

 After two years away, now independent and with a newfound sense of clarity, Tiana Major9 is primed and ready to return for an empowered new chapter. Stay tuned for more to come from Tiana Major9.

51. Marcus King Band – Honky Tonk Hell

Today, the Marcus King Band unveils a first taste of new music with the track “Honky Tonk Hell” out now via American Records/Republic Records. Listen/share the song HERE. Watch/share the lyric video HERE.
 
“‘Honky Tonk Hell’ is an anthem for anyone out there like myself who have struggled with the permanence of sobriety – those who fear the thought they will never again howl at the moon,” King says, “This song for me serves as a reminder to take it all one day at a time.”
 
The beloved Marcus King Band Family Reunion music festival will return for its ninth installment this summer, taking place in Charleston, SC for the first time ever. Over the course of two days—August 23 and 24—the festival will see performances by the Marcus King Band, Jamey Johnson, Stephen Wilson Jr., Molly Tuttle and more. Tickets and more information are HERE.
 
This year finds King hitting the road with Chris Stapleton, Cody Johnson and Eric Church. Complete list of dates below. He will also be performing at CMA Fest in Nashville on June 6.
 
Greenville, South Carolina-born, Nashville-based Marcus King started performing alongside his blues guitarist father when he was just eight years old. He made his solo debut with El Dorado (2020), produced by Dan Auerbach of The Black Keys. The album was met with widespread acclaim, with the Associated Press calling it “a definite high point of 2020.” It went on to earn King his landmark Grammy nomination for Best Americana Album at the 63^rd Annual Grammy Awards.
 
He followed up the success of El Dorado with Young Blood (2022), also produced by Auerbach. His sophomore album debuted at #1 on Billboard’s Top Blues Albums Chart, describing it as a “staggeringly confident work.” Last year King returned with his third album, Mood Swings, produced by Rick Rubin, of which Rolling Stone describes, “he…goes for something much more daring, vulnerable, and openhearted.”

52. Leven Kali – Crystal Ball

Today, GRAMMY® Award-nominated multihyphenateLeven Kali unveils the music video for his new single “Crystal Ball” out now via Def Jam Recordings. Listen HERE. Watch HERE. 
 
A soft beat supports Leven’s lively vocals, airy keys, and electric guitar. He showcases his range, moving from soulful emotional verses to a high-energy refrain. The song culminates in a chantable chorus where he assures, “You know I’d give everything for you.” Giving the perfect blend of R&B, Rock, and Alternative. Ultimately, it simmers with spirit and style, highlighting his evolving signature sound.
 
In other news, Leven will join SiR on tour throughout this Summer. This jaunt commences on May 29 in Raleigh, NC, visits major markets coast-to-coast, and concludes on June 15 in Minneapolis, MN. See the full tour routing below. Purchase tickets HERE.
 
The new music continues what is shaping into a breakout 2025 for the rising phenomenon. Earlier this year, he dropped the fan favorites “Are U Still,” and “Pieces” both joined by impressive performance videos. VIBE raved, “Leven Kali is back and arguably, this is the drop we’ve been looking forward to the most,” and Earmilk professed, “‘ARE U STILL’ features the same poignant and sincere songwriting, but with a more jazzy flow. Kali’s buttery vocals slide over animated drums with some intense moments of instrumentation, making for an explosive entrance to a new year.” Rated R&B applauded, “The funky song feels like the sun peeking through the clouds after a storm, hinting at clearer skies ahead.”
 
Leven Kali stands out as a multi-GRAMMY®-nominated GRAMMY®-nominated for his work on Beyoncé’s Renaissance. Of course, this continues his run as a key trusted collaborator for Beyoncé. Prior, he served as a co-writer on “Alien Superstar,” “Plastic Off the Sofa,” “Virgo’s Groove,” and “Summer Renaissance” from 2022’s Renaissance, which took home a GRAMMY® for “Best Dance/Electronic Album.”
 
Everything just sets the stage for more to come from Leven Kali this year.
 

53. Chse Alexander – Real R&B

Rising singer-songwriter Chase Alexander continues his breakthrough year with the release of his highly anticipated EP, Real R&B, available now via C/A Entertainment in partnership with N.V.E. The four-track collection is a bold statement of intent from an artist determined to restore soul, storytelling, and authenticity to the modern R&B landscape. Download / Stream here.

Inspired by the early ’90s era that shaped his artistry, Chase set out to create music that feels real, vulnerable, and timeless. This project led by “Dive In” immediately sets the tone, offering an intimate and evocative experience for listeners who crave emotional connection through music. Written by Chase alongside NeJcion Davis, Lyrica Anderson, and Christian Gibbs, the track captures the essence of authentic R&B intimacy.

Chase Alexander’s growth since his 2024 project F**k It Up is undeniable. This time around, he brings together a dynamic team of collaborators including Princess Key, Zae France, 4Fargo, and DANE, crafting songs like “Saved,” “Say No More,” and the R&B cypher inspired “Rid Of Me.” Together, they create a body of work that feels both nostalgic and urgently fresh.

With Real R&B, Chase Alexander delivers a project that blends soul, vulnerability, and undeniable modern energy, confirming his place as a vital new voice in R&B.

54. Nakia – Say Goodbye One More Time

Today, Austin’s own soulful queer icon Nakia releases the final single, “Say Goodbye One More Time,” from his forthcoming ‘80s synth-rock-inspired album “Signal” slated to be released on Friday, May 30 via Nakia’s own KiaChia Records. The single premiered yesterday with Glide Magazine (see here for the premiere) and is now available for streaming here along with Nakia’s other previously released singles from the new record.

“’Say Goodbye One More Time’ is a bittersweet, nostalgic track that explores the longing to hold onto fleeting moments just a little longer,” said Glide Magazine. “With shimmering synth textures, sharp guitar, heartfelt lyrics, and an anthemic chorus, Nakia delivers a song that captures the universal ache of parting ways. The song finds Nakia drawing inspiration in 80s greats like Bryan Ferry, Tears for Fears, and Peter Gabriel, making this track a perfect companion for late-night drives and reflective moments. At the same time, there is a modern pop sound to this song that makes it transcend being classified as simply a throwback tune. Longtime followers of Nakia may be surprised at how different this tune sounds compared to the soul music he is known for, and ultimately it feels like a freshly original approach for this veteran talent.”

Nakia & The Never Not Now will celebrate the “Signal” album release with a special vinyl release show the evening of Friday, May 30 at The Saxon Pub(located at 1320 S Lamar Blvd, Austin, TX 78704). The show starts at 8 p.m. Tickets are currently on sale and can be purchased here. Media who would like to RSVP to the May 30 show can do so here. For more information, visit nakia.net.

55. Dyce Payso – Litty

Bronx rapper Dyce Payso turns up the heat with his new single “Litty,” a high-energy anthem blending gritty New York bars. “Litty” is a celebration of success, hustle, and living life at full volume—Dyce Payso style. Shot in the streets and in the Bahamas, the music video matches the track’s explosive energy. “Litty” is the latest single off of Dyce’s upcoming album “2Mar Ain’t Promise” out soon.

Bronx rapper Dyce Payso turns up the heat with his new single “Litty,” a high-energy anthem blending gritty New York bars. “Litty” is a celebration of success, hustle, and living life at full volume—Dyce Payso style. Shot in the streets and in the Bahamas, the music video matches the track’s explosive energy. “Litty” is the latest single off of Dyce’s upcoming album “2Mar Ain’t Promise” out soon.

56. Tech N9ne ft. Kevin 'Church' Johnson – This I Know

After decades of rapping at an elite level without comparison, Tech N9ne decided to open up more than ever before on his 25^th full-length album and most poignant, personal, and poetic body of work yet, 5816 Forest, out June 27, 2025 via Strange Music. Pre-order/Pre-save HERE.  The pre-order notably unlocks a private link to an exclusive listening party for fans with the man himself.

Setting the stage for the arrival of 5816 Forest, the chart-topping multiplatinum hip-hop legend and the most successful independent rapper of all time just dropped an introspective and infectious new single and music video entitled “This I Know” out now. 

Listen HERE. Watch the music video HERE.

Across the song, bright piano blinks beneath triumphant horns and loose bluesy guitar. A soul sample punctuates Tech’s rhymes as he reaches back into his earliest memories and paints a big screen-worthy picture of his formative years. It builds towards an affirmation on the hook as he proclaims, “I might not be a wonder with the numbers, but that music, this I know,” going on to profess, “I know you show the love…this I know…I gotta go because, this I know.” The video says it all though. Donning a debonair black suit, Tech spits the lyrics accompanied by Kevin Church Johnson on the piano. It’s as simple and impactful as the song is. He teased the LP by sharing a popular performance video last week on Instagram. 

Recently, Tech sat down with Bunnie Xo for an episode of her Dumb Blonde Podcast and gave a fascinating interview to Bootleg Kev for his Bootleg Kev Podcast. TMZ spoke to him about the album and Esquire just looked back at how Dwayne Johnson also “‘put in the hours’ on a song with Tech N9ne.” The Kansas City Star reaffirmed, “Tech N9ne’s story is deeply woven into Kansas City’s vibrant music and community fabric.”

He previewed this era with “J6’s” last month. In its wake, HotNewHipHop declared, “Tech N9ne, one of the most slept MCs in terms of pure technical ability, is going to be reminding everyone real soon of his storytelling skills.”

Prior, Kansas City’s The Pitch hailed another staple “RDV,” stating, “With that intro and stripped-down production, it’s as though Tech and his squad stepped back in time to the ’90s. The black-and-red soundstage aesthetic throws back, too, letting the lyrics do the heavy lifting while Tech and company flex onscreen.”

Thus far, songs from 5816 Forest has generated millions of streams. It has all the makings of a Tech N9ne classic. 

Check out the tracklisting below.

Right now, he’s finishing up his co-headline tour with Hollywood Undead tonight at Starland Ballroom in Sayreville, NJ.

This summer, he headlines festivals such as Boulevardia in Kansas City on June 13 and Summer Daze in Elko, NV on July 18. 

The next phase is underway now…

57. Gannon Fremin & CCREV – Hello, Hate To See You

Today, rising Oklahoma red dirt rock band Gannon Fremin & CCREV unleash a brand new single entitled “Hello, Hate To See You.” Listen HERE. 

Setting the scene, the track’s airy clean guitar echoes beneath gritty verses, and  vocalist Gannon sighs, “Well, I remember everything that you said, but you can kill a buzz how you love to forget.” A wave of distortion carries the chorus as he snarls, “Don’t know how you’re around, but it’s always when I’m drinking.” At the end, he raises a middle finger to an ex as politely as possible with the greeting, “Hello, hate to see you again.” 

Regarding “Hello, Hate To See You,” the group commented, “That song is about a girl who you don’t want to see anymore, but she just keeps appearing everywhere you are! That moment you feel like it’s over and you don’t have to worry about her, here she comes again…”

Right now, the band is captivating crowds on the road throughout North America. Next up, they will headline Majestic Fort Smith in Fort Smith, AR followed by dates across Oklahoma and Texas. Check out the full confirmed itinerary below. Get tickets HERE.

Emerging from the heart of Oklahoma, Gannon Fremin & CCREV have gone from the new kids on the red dirt block into a powerhouse rockin’ band that encompasses the grit and independent rowdy spirit of Southwest Okies. Consisting of frontman Gannon Fremin, guitarist Travis Julian, bassist Wade Cartwright and drummer Tyler McCartney, this 4-piece carries the rustic range of the Red Dirt Rangers blended with the punk power of The Stooges. Their sound, a haunting echo of Red Dirt wisdom and the rebellious spirit of punk, conjures the raw honesty of Cody Canada and the lyrical intensity of Kurt Cobain. The group has already set the iconic Grady’s 66 ablaze. Get ready, because 2025 is going to be their year as they take their electrifying show and new music on the road, transforming stages into altars of rock and roll.

58. Jake Wesley Rogers – In the Key of Love

Today, visionary pop artist Jake Wesley Rogers releases his soaring, staggeringly personal, and deeply moving debut album, In the Key of Love — listen HERE via Facet Records / Warner Records. At moments grand and sweeping, in others up-close and intimate, and at all times brimming with purpose and power, the 11-song set announces the Missouri-born star as one of the most exciting upcoming talents.

Jake worked closely with producer Mike Sabath (Shawn Mendes, Raye, Lizzo) on In the Key of Love, crafting an album that swirls up glam-rock flash, Broadway drama, piano balladry, artful experimentation, and modern pop production, all bound together by threads of gospel and Jake’s incredibly expressive voice. Similarly, the lyrics tell a story that’s rich with minute personal detail and insight that connects throughout to greater existential themes.

Album highlight “Happy Accident” — co-written by Justin Tranter — perfectly captures this dynamic. Over a bed of tumbling art-pop production, Jake sings diaristic lines that range from the delightfully mundane to the utterly divine, building to a huge chorus that rings with a hard-won and somewhat wry joy.

Jake shared his thoughts about In the Key of Love ahead of the release: “This album saved my life in so many ways — it really took me on a journey of my whole life. This album is about the balance and interplay of love and fear. I’ve found that it’s actually not about letting go of the fear. It’s about letting the love in. In making this music, I opened myself up to deeper truths than I have before, and I’m still learning from them. For the first time, I feel like I’m on my path.” 

In the Key of Love was previously teased by a handful of powerful singles including the spirited confessional “My Misery,” cathartic anthem “Hot Gospel,” the soulful and subversive “God Bless,” and sparkling glam-rock triumph “Loser.” 

Jake will be taking his captivating live show to stages across North America this summer, supporting Cyndi Lauper on her Girls Just Wanna Have Fun Farewell Tour, including a two-night finale at The Hollywood Bowl in Los Angeles. See the full list of dates below and purchase tickets HERE.

Discovered by hit songwriter Justin Tranter in 2020, Jake began his path to stardom the following year when Apple Music’s Zane Lowe premiered “Middle of Love” and called him “wildly talented.” That opinion was soon shared by countless tastemakers including People, Billboard, Rolling Stone, American Songwriter, PAPER, and Vogue. He then made a whole new army of fans with: the release of 2021’s Pluto EP, a run of North American tour dates supporting Panic! at the Disco, and unforgettable performances on Good Morning America, The Late Late Show with James Corden, The Ellen DeGeneres Show, and Late Night with Seth Meyers. 

In 2022, Rogers shared his Love EP, which included numerous standout tracks such as “Lavender Forever,” “Hindsight,” and “Dark Bird.” In 2023, he hit the road to support Kesha on her North American tour, releasing the healing anthem “Window” around that time. Now, with an entire album’s worth of new music, Rogers returns to his mission of sharing a message of love, defiance, and — most importantly — hope.

59. Lydia Night – The Hearse

Today, Lydia Night shares her new song “The Hearse” via Warner Records. The song, from the former frontwoman of Los Angeles band The Regrettes, follows her solo debut “Pity Party” and switches between tenderness and exasperation, cheekily examining the feelings of getting shot down by a crush before you’re able to reject them yourself. Listen to “The Hearse” here.

Night shares about the new single, “I wrote this song after getting my ego hurt in a classic friend-zoning scenario. It’s petty, silly, and a bit hypocritical. I decided to use the hearse as a metaphor in the song because sometimes getting your ego bruised in a romantic scenario can truly feel like death, especially in a situation where you felt like you had all the power going into it just to have the rug swept out from under you. I think it’s a very universal feeling and something that I’ve tried to put into words for a while so writing this song felt extremely therapeutic. I’m hoping it does for listeners as well.” 

Lydia Night also shares the music video for “The Hearse,” which she co-directed with Ramisha Sattar, who created all the visuals for Chappell Roan’s The Rise and Fall of a Midwest Princess, and features a car chase with Night behind the wheel of a vintage pink hearse. During the chase Night showcases the range of emotions that reflected her headspace while writing the song. Night shares about directing the video “I didn’t expect to be so passionate about directing, but it’s so rewarding to express myself through so many different lanes at once,” she says. “I love looking back and knowing that there’s meaning in every single detail, even the little things that no one would ever catch.” Watch the music video for “The Hearse” here.

“The Hearse,” was produced by Alexis Kesselman (a New York City-based producer/songwriter whose credits include Suki Waterhouse and Joji) and came to life at Kesselman’s studio in her Hell’s Kitchen apartment. “I’d never worked with a female producer before, and it was game-changing for me,” Night says, “I felt a level of safety and comfort that allowed me to be my most authentic self.”

60. Kill Dyll – Wilted Rose

Today, genre-upending artist Kill Dyll continues to pull back the veil on his new musical era with “WILTED ROSE.” The grunge-caked new single offers up a heart-on-sleeve meditation on personal fragility, external dependence, and the deeply human search for something more. Listen HERE and watch the visualizer HERE via Second Estate/Warner Records.

“WILTED ROSE” is equally hopeless and romantic, finding the Denver-bred vocalist/producer in the grips of forces beyond his control. The guitar grinds, the drums crack, and the bass distorts everything in its path as Kill Dyll chants, “You bear my bleeding heart like a wilted rose, don’t tear it apart / Still yearn for your peaceful bliss, I know you’re bad for me / I need a taste of it.” 

Kill Dyll spoke on the song’s dual meaning: “The wilted rose can be symbolic of the fragility of love, being at the mercy of your partner, and the toxicity that can exist within a codependent relationship,” he said. “It can also be seen from the perspective of substance abuse, in which my fate is in the hands of a drug. Knowing that any dose could be my last, I’m voluntarily putting myself in a vulnerable state with hopes that it will fulfill some sort of lost meaning in my life.”

“WILTED ROSE” continues a run of 2025 singles that pair heavy but insightful lyrics with a sound that channels both the gnarled angst of ’90s rock and the unrestrained creative burst of 2010s emo-rap. Kill Dyll last shared “THE COST,” a hypnotic descent into disconnection. Before that came the surprise release, “START TO BLEED,” which captured the existential crush of our exact moment in history over a wall of shoegazing guitar and distorted production.

Kill Dyll opened the year with his headlining U.S. Holy Trinity Tour and has since been sharing snippets of new music directly to fans on his social media channels. Longtime followers have had the opportunity to witness the DIY-minded artist evolve his vision across projects, continuously challenging himself to push the boundaries of his music while exploring new ways to let loose raw emotion and provide musical relief to listeners working through dark feelings of their own.

On “WILTED ROSE,” Kill Dyll shares a piece of himself, opening up his world bit by bit.

61. Pecos & The Rooftops – Rock Song

Kicking off a busy summer with more music, Platinum-certified rising Texas-based country rock sextet Pecos & The Rooftops serve up a new single entitled “Rock Song,” available today. Click HERE to stream via Warner Records.

This time around, the band’s soundtrack is moving on from a toxic relationship. Vulnerable verses teem with raw emotion as Pecos Hurley tries to numb the pain of a breakup the best way he knows how, “While I’m missing what I lost, grab that Gibson off the wall, and drink a few.” He cranks up the distortion on the chorus as he waves goodbye with a parting gift, “Baby, you can keep the rock song.” The frontman finally closes the door on this chapter while the guitars blaze.

“‘Rock Song’ is a late addition to the upcoming 2-part album slated for release this year. It was written from a ‘screw you,’ sarcastic perspective about a guy that’s hit the end of the rope in his marriage and is content with going back and getting drunk by himself and his guitar—so much so that he doesn’t even want the ring back,” Hurley shares about the track. “But, if you listen closely, the song might not only simply be about divorce. There may or may not be a double meaning to a lot of the lines in the song. Regardless, it was a fun song to write with my friends, and it’s been a blast playing it at shows so far. Ladies and gentlemen, enjoy.”

“Rock Song” follows the recent anthem “11 Beers.” Continuing a prolific run for the group, other singles have included “Sweet Tumbleweed” and “Missing Peace.”                                      

“Missing Peace” landed in the wake of “One Drunk Summer,” which notably marked the group’s first release since their self-titled debut album in 2023. It houses signature staples such as “5AM,” “Hurt No More,” “Last Thing I Remember,” “Bricks,” and “She Says.” Beyond generating nearly a quarter-of-a-billion streams, it has earned critical applause. Music Connection chronicled their rise and highlighted how “the country rockers continued kicking up dust through touring and recording.” Holler. praised, “It’s a close-knit sense of camaraderie that shines through in their live shows.”

Right now, Pecos & The Rooftops are in the midst of a string of headline dates and festival appearances — see full list of dates below. They have been perfecting a signature heavy blend of lowdown country and classic rock since their inception, with the band living in a big five-bedroom house in Lubbock, Texas. Formed in 2019 by a tight- knit squad of college friends, the band outfits their soulful Americana with muscular guitar grit, yet remains tuneful and melodic. They’ve carved out a singular niche for themselves in the rich songwriting tradition of their home state, as evidenced by their debut Warner Records single “5AM,” which has amassed over 270 million global streams to date. Anchored by the heart-baring songwriting and booming voice of former Marine Pecos Hurley, the band is rounded out by top-tier players Jessie Santos (lead guitar), Steven Buehler (bass), Garrett Peltier (drums) and Jared French (guitars & keys).

Pecos & The Rooftops chose their name—a nod to the part of the house they’d hang out, drink beers, and jam on—just before self-releasing their debut single, 2019’s slow-burning “This Damn Song.” It was a runaway success, earning an RIAA Platinum certification and going on to rack up over 500 million streams globally. Deciding to ride the wave for as long as they could, the band hit the road immediately after and haven’t stopped since, touring relentlessly on the club and festival circuit opening for the likes of country star Koe Wetzel. They released the Red Eye EP in 2020, expanding on their already solid sound with extra emphasis on guitar structures and complex yet melodic arrangements, hinting at jazz and psychedelic influences.

Pecos & The Rooftops have earned a devoted fan base who’ve come out to support them both online and on the road. “At the end of the day, I just want to help people with our music, honestly,” Hurley says. Pecos & the Rooftops are set to do that and much, much more.

62. Murf Dilly – Crossroads/Signs/Poison Ivy